Reviews

Coming Out

Written by Scott Taylor. Music by Robert Taylor. Chapel Off Chapel. Midsumma Festival. 9 – 19 February, 2023.

Part of the fun of reviewing a show is knowing nothing about it going in. But when I arrived at Chapel Off Chapel and collected the programme for Coming Out, I had a fair idea of what to expect: another one of these coming out monologues (sometimes funny, sometimes set to music, sometimes both).

My expectations were wrong. Very wrong.

Four Flat Whites in Italy

By Roger Hall. Therry Theatre. The Arts Theatre, Angus St, Adelaide. March 23 – April 1, 2023

“Let’s have the adventure before the dementia!” wryly quips Adrian before he and his wife set off to Italy for the trip of a lifetime. Four Flat Whites in Italy ticks every box as the perfect play to celebrate the recent opening of overseas travel!

Therry Theatre have a real winner on their hands with their current production; excellent production values, great casting, intelligent direction, functional set and a script that keeps the laughs coming fast and maybe a few tears

RENT

By Jonathan Larson. Miranda Musical Theatre Company. Pavilion Performing Arts Centre, Sutherland. March 23 – 26, 2023

There’s a lot of pressure associated with being the first company to stage a full-scale musical in a recently renovated venue.  Throw in a shorter-than-usual rehearsal period and a Wednesday night opening and a lot of groups might run in the opposite direction.  Luckily this wasn’t the case with Miranda Musical Theatre Company (formerly Miranda Musical Society), who opened their season of RENT on Wednesday night at the Pavilion Performing Arts Centre, Sutherland.

Melbourne, Cheremushki

Based on Moscow, Cheremushki by Dmitri Shostakovich. Libretto by Vladimir Mass and Mikhail Chervinsky. Presented by Victorian Opera. Directed by Constantine Costi. Playhouse, Arts Centre Melbourne. 22–25 March 2023.

This operetta is a departure from Shostakovich’s usual music style, but the dynamic music combined with an equally lively libretto create a vibrant text with definite shades of black comedy. The story centres around the chronic shortage of housing in the Soviet capital in the 1950s and directly criticises the defective political machinery of the day. The decision to adapt the story to Melbourne rather than Moscow is a clever one, given the political sensitivity of the location and the relevance to Melbourne’s lingering and worsening housing crisis. 

Not Finished with You Yet!

Written & composed by Dick Gross. Dickie Gross Productions. Alex Theatre St Kilda. 7 March – 2 April 2023

The time is now and the government (for some never defined or explored reason) has decreed that no marriage is to last longer than thirteen years.  After that, no fault, no cost divorce is automatic - and compulsory.    

The Boy From Oz

Music and Lyrics by Peter Allen. Book by Nick Enright. Empire Theatre Toowoomba. March 17 – 26, 2023

Walking into the beautifully appointed Empire Theatre to the almost full audience, it was clear that theatre is alive and well in Toowoomba.

We all know The Boy from Oz, and that it is a recreation of Peter Allen’s final concert interlaced with a biographical story of his life, so I won't go into a full synopsis of the show.

Phillip Quast: The Road I Took

Ensemble Theatre. March 20 – 29, 2023

Phillip Quast has a hell of a story to tell. Raised on a farm in New South Wales, his favourite anecdote from his country childhood was getting into a massive egg fight with his brother, jumping into a swimming pool to evade his father’s fury, but then being scooped out for a hiding.

Remarkably for someone who eventually became an international star, there was no show business mother or father pushing him. Quast attended his first play, which by coincidence was at the Ensemble Theatre, only because of a school excursion.

Let Bleeding Girls Lie

Writer: Liv Satchell. La Mama Courthouse. Director: Liv Satchell. Lighting design: John Collopy after Jason Crick. March 15-25, 2023

As the third episode of the Grief Trilogy, this play continues to explore the impact of grief and how it intrudes into life, in this case, the most ephemeral of contacts. Three women are at the Blood Bank donating plasma and are physically constrained in their chairs watching television. The intrusion of the televised coverage of a bombing at a public music event opens their wounds and they gradually reveal their personal losses.

Revisor

Kidd Pivot. Adelaide Festival. Her Majesty’s Theatre, Adelaide. March 17 – 19, 2023

As I sit in Her Majesty’s Theatre there is an excited buzz anticipating the extraordinary. What a difference a year makes, very few masks and very happy faces.

We aren’t disappointed. Revisor, a work by Canadian choreographer Crystal Pite and playwright Jonathan Young, known collectively, along with their company of eight dancers, as Kidd Pivot is an amazing piece of theatre!

Don Quixote

The Australian Ballet with Orchestra Victoria. March 15 – 25, 2023 at State Theatre, Melbourne, April 8 – 25 at Sydney Opera House. Livestream March 24th.

For its first ballet in its 60th year, the Australian Ballet has staged Rudolf Nureyev’s film version of Don Quixote, on stage. It’s joyous and colorful, and highly technical.  Nureyev’s choreography is some of the most complicated the Australian Ballet has seen, and it all takes place in gloriously flamboyant costumes in and around filmic sets. Whilst it’s far from the perfect ballet and even further from the source material, Don Quixote is a crowd pleaser and rightfully so.

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