Reviews

Apocalipstik may be inspired by the pessimism of a nihilistic view of the current condition of the world but there is absolutely no sense of resignation in this show. There is only fiery and emphatic rebellion and refusal to acquiesce to any notions of normal or the inevitable. The show is a phenomenal extravaganza of a range of Kaye’s many talents. Kaye is first and foremost an exceptional and skillful raconteur. This is demonstrated via the ability to tell the complex tale of the very colourful life of his Uncle Helmut.

‘Mistress is kind,’ says Claire, though her sister Solange isn’t so sure. The two siblings are maids under a powerful woman who keeps them in line with fear and faux friendliness. Whilst their mistress is out, the two maids play with her clothes and make-up, acting out extreme versions of their interactions – their sadomasochism building them both to a sexual frenzy.

La Mama Cabaretica is a quarterly cabaret offering curated by theatre actor, singer, producer and theatre maker Isabel Knight. The show aims to showcase emerging and local cabaret talent and this year offered debut and return performances as part of the program. Knight also acts as the host or MC of the event and creates a very vibrant and energetic atmosphere. She provides raucous encouragement and support for the daring and often very contrasting acts included in this show.

Thalia Joan bursts into the room with a megaphone, in a clinging, glamorous evening dress and comfy shoes and launches into her self-deprecating, ironic, carefully observed, and utterly relatable 45 minutes of sharing about her life. While many topics are touched on, growing up with a mother and grandmother, work and issues with a boss, ex-boyfriends and the differences in generations; the core of the show is her response to an internet quiz the algorithm sent her to identify whether she is giving up.