Reviews

God of Carnage

By Yasmina Reza, translated by Christopher Hampton. Echo Theatre. Directed by Jordan Best. The Q, Queanbeyan. 24–26 November 2022.

An afternoon conversation between two sets of parents whose sons have had an altercation at school sets out at the height of civility.  Veronica and Michael Vallon (caroly Eccles and Josh Wiseman) are of course concerned that their boy will require dental surgery and a permanent tooth replacement, and Annette and Alan Reille (Lainie Hart and Jim Adamik), whose son is responsible for the dental damage, completely understand their concern.

Carmen on Cockatoo Island

Composed by Georges Bizet. Librettist: Ludovic Halévy. Henri Meilhac. Opera Australia. November 25 – December 18, 2022

Photo above by Hamilton Lund

Opera Australia has reached new heights of artistic excellence with its bold heavy metal interpretation of the classic, which blends a full symphony orchestra sound with a rock music sensibility.

Getting there is an adventure. Audience members catch the ferry from Barangaroo and make their way to the island, where they walk across cracked cement and light gravel strewn paths, through tall metal buildings where ships were built in the last century.

Made to Measure

Graduating Class Showcase. National Institute of Circus Arts. Curators: James Brown, Martine Howard, Benjamin Sheen and Linda Sastradipradja. Artistic Consultants: Katie Cawthorne, Kyall Shanks, Jess Love and Jess McCrindle. 23-26 November, 2022

This Showcase brings together a disparate group of performances to create an entertaining whole by introducing a fashion theme and having Valerie Hex (YUMMY), a well-known and glamorously clad drag artist, be Master of Ceremonies. Valerie introduced the show and provided snippets of engagement and fashion advice to cover equipment changes.

Shakespeare in the Park - The Tempest

By William Shakespeare. Roleystone Theatre. Directed by Paul Treasure. Araluen Botanic Park, Roleystone WA. Nov 12-19, 2022

Roleystone Theatre’s Shakespeare in the Park has quickly become established as an integral part of the theatrical calendar, and The Tempest proves a worthy addition to this series. 

Performed in the late afternoon, Araluen’s amphitheatre is a beautiful setting - and a particularly lovely for the island setting of The Tempest. Preshow music and costuming (Penny Ramsell and Jo Padgett) gave us a sixties beach feel (with some oblique references to Gilligan’s Island and perhaps anachronistically to Baywatch).

An Indigenous Trilogy Act III: Some Secrets Should Be Kept Secret

By Glen Shea. La Mama Courthouse. Nov 23 – 27, 2022

ACT III of An Indigenous Trilogy is currently performed as a rehearsed reading at La Mama Courthouse.

Some Secrets Should Be Kept Secret is a gripping gothic tale written, performed, and directed by Glen Shea. It harks back to Act One, when our chief narrator Peter (Glen Shea) sits in solitude in country by his campfire, reminiscing in his own dream time as a person of the Stolen Generation - about a place he learnt to call home.

A Jolly Roger Christmas

By Noelene Rees. Cairns Little Theatre. November 25 to December 10, 2022

Cairns Little Theatre’s latest production has a pirate ship crashing into the North Pole and lots of boxes containing baked beans. A highly improbable plot until you realise that it’s a pantomime and in pantomime land anything can happen.

Written and directed by Noelene Rees, A Jolly Roger Christmas is a feast of entertainment from beginning to end. All the usual panto gags are there as well as plenty of opportunities for vocal audience participation.

Bernie’s Old Tyme Music Hall

Devised by Kerry Goode. Garrick Theatre Club. Directed by Kerry Good. Garrick Theatre, Guildford, WA. Nov 24-Dec10, 2022

As part of Garrick Theatre Club’s 90th birthday celebrations, they are closing their anniversary celebrations with

Coldhands

By Dora Abraham. Rumpus, SA. 22 November – 4 December 2022

‘Something is coming for us, something from below’ reads a slip of paper handed to me in the darkness by the Girl. The genuine tension of what might happen next is built brilliantly in this intimate experience of life in a world where for most, survival is their only goal.

Caress/Ache

By Suzie Miller. Silver String Productions. MC Showrooms, Clifton St, Prahran. 22 - 26 November 2022

A surgeon loses a baby on the operating table.  A mother argues with successive government departments for financial help; her son is imprisoned in Singapore.  A wife discovers her husband has been unfaithful.  A single mum starts work as an online sex-worker.  An Australian-born Iranian young woman discovers the poetry of her parents’ country and is inexorably drawn Farsi and Iran…  These character strands interweave around the theme of touch - its centrality, its power to heal, its power to destroy when prevented or withheld…  In counterpo

Who’s Afraid of Virginia Woolf

By Edward Albee. Performing Arts Association of Notre Dame (PAANDA). Directed by Lily Slattery and Georgia Comerford. Prindiville Hall, University of Notre Dame, Mouat St, Fremantle WA. Nov 22 – Dec 3, 2022

At a time of year when most theatre companies are choosing comedies, musicals and pantomimes, Performing Arts Association of Notre Dame (PAANDA) are bucking the trend, with the very dark Who’s Afraid of Virginia Woolf.

After a university faculty party, middle-aged couple George and Martha are visited by younger couple Nick and Honey, who are unwittingly drawn into George and Martha’s complex, bitter and abusive relationship.

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