Reviews

Four Saints in Three Acts

By Virgil Thomson to a libretto by Gertrude Stein. Victorian Opera. Conductor: Phoebe Briggs. Director: Nancy Black/Professor Kim Vincs. Merlyn Theatre, Malthouse. September 30 – October 1, 2016

Four Saints in Three Acts is an opera like no other. Written by the American composer Virgil Thomson to a libretto by Gertrude Stein, the words are generally nonsense, with repetitive phrases and no discernible plot. The Stream of Consciousness school was popular in this era.

However, this did not matter.

New Owner

The Last Great Hunt. Directed by Arielle Gray and Tim Watts. Pica Performance Space, Perth WA. 1-16 October, 2016

Presented by PICA as part of the 2016 AWESOME Festival, The Last Great Hunt’s show New Owner is a beautiful World Premiere that features puppetry, live action, animation and projection to tell a story of relationships through the eyes of a dog.

The Recruiting Officer

By George Farquhar. Blackwood Players. Blackwood 21, Blackwood. September 30, October 1, 7, 8, 14, 15, 2016

Having very recently reviewed Timberlake Wertenbaker’s Our Country’s Good, in which some of the convict characters in an early Australian penal colony attempt to rehearse George Farquhar’s play The Recruiting Officer, this week I reviewed The Recruiting Officer in its own right.

Thoroughly Modern Millie

Music by Jeanine Tesori, lyrics by Dick Scanlan, and a book by Richard Morris and Scanlan. G and S Society of South Australia. The Arts Theatre, Adelaide. 28th September - 8th October 2016

It was with some trepidation that this reviewer ventured to the Arts Theatre, on a post- apocalyptic storm night, to see Thoroughly Modern Millie. Pre- show, director David Sinclair came to the stage to remind the audience that the show had missed its Technical Dress Rehearsal and official opening night due to the storms. We were asked to be understanding of this should it not go to plan. Well! If the plan was to explode onto the stage with joy and colour and lift the spirits of waterlogged Adelaide, it was a smash!

Rent The Musical

By Jonathon Larson. Blackout Theatre Company. The Joan, Penrith. September 28 – October 1, 2016

Blackout Theatre Co's production of Jonathon Larson's musical Rent is a real tribute to the shows themes of Love, Adversity and Community.

Twenty years after the Off Broadway Premiere, Director Jordan Anderson and his cast and crew have produced a real in-your-face and at times very moving night of theatre.

The cast of 36 (unusually large for this show) is strong vocally when they are all on stage together. The principal cast, together, form a very believable group of friends, though individually struggling with nerves and harmonies on opening night.

Croquiky Brothers

Oz Asia Festival. Saturday 1 October 2016 -Sunday 2 October, 2016.

The Croquiky Brothers are billed as “A hilarious comedy that includes live drawing of audience members, famous paintings and iconic objects. These two brothers from Korea can dance, draw and play air guitar, often all at the same time.” On a warm sunny afternoon at the Oz-Asia Festival, this reviewer joyfully experienced what can only be described as the eclectic and quirky talents of the brothers. From the moment the show began with bouncy music and crazy mime antics, the audience (and particularly the younger members) were hooked.

Vertigo 20

Vertigo Dance Company. OzAsia Festival. Dunstan Playhouse, Adelaide. 30 Sep – 1 Oct, 2016

Our bodies have the ability to communicate emotion without saying a single word and that, teamed with inspiring choreography can be a very potent combination.  Vertigo Dance Company are based in Jerusalem and have been teaching and performing for 20 years. Their latest offering is a culmination of their works from the past two decades. Choreographer and co-founder Noa Wertheim takes us on a journey of self-discovery with stunning results.

Disney’s The Little Mermaid

By Alan Menken, Howard Ashman, Glenn Slater and Doug Wright. Phoenix Ensemble. Pavilion Theatre at Beenleigh, SE QLD. 30 September - 22 October, 2016.

The magic of Disney is not always easy to recreate, but Phoenix Ensemble seems to manage it again and again, and with the talent and direction of Morgan Garrity, Disney’s The Little Mermaid is indeed magical.

Beauty and the Beast

Composer: Alan Menken. Lyricists: Howard Ashman, Tim Rice. Book by Linda Woolverton. Wyong Musical Theatre Company. Directed by Amanda Daniel; Musical Director, Suzanne Stein and choreography by Karen Ophel. 23 September - October 1, 2016

Back in 1992, a full nine years before the Academy of Motion Picture Arts and Sciences created the "Best Animated Feature" category, the animated movie version of this classic fairytale had the audacity to be nominated for "Best Picture" - alongside arguably the most diverse group of nominees in Oscars history:  JFK, Bugsy, Prince of Tides and the winner, Silence of the Lambs.

The Young King

By Oscar Wilde, adapted for the stage by Nicki Bloom. Slingsby. Lennox Theatre, Riverside Theatres, Parramatta. 29 September – 1 October, 2016.

Holding cards designating them as subjects from the extremities of the kingdom, the young audience enters through a series of dimly lit passages where they are offered chocolate and make paper crowns. One representative from each ‘region’ is given a gift to present when they meet the Young Prince. Bemused, they wait, the only sound their curious whispering and the constant ticking of a clock.

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