Reviews

Joseph and the Amazing Technicolor Dreamcoat

Music by Andrew Lloyd Webber, lyrics by Tim Rice. Neptune Productions, Tweed Heads Civic Centre. Director/Musical Director: Wendy Fahey May 8th - May 17th, 2015

After a 12 month hiatus Neptune Productions have staged 'Joseph' with style. Casey Fegan repeats his performance of several years ago and is complemented by the talented Louise Harris as the Narrator. Strong performances also came from Jackson Brash as Pharaoh and Samantha Naday as Mrs Potiphar.

Lloyd Webber’s tuneful score was presented by the enthusiastic children’s choir and the pit orchestra supporting the adult members of the cast.

Rotunda

The New Zealand Dance Company. Riverside Theatres, Parramatta. May 13 – 16, 2015.

Timed to honour the Gallipoli landings in 1915, Rotunda brings together contemporary dance and the haunting role that brass bands have played in farewelling servicemen (often from the rotundas in parks in country towns) as they left for the front – and accompanying them again as they march, year after year, to remember the fallen.

PESCADO: A Circus Cabaret Fusion

The National Institute of Circus Arts (NICA). 2nd year students. Directed by Hayden Spencer and Carita Farrer Spencer. NICA National Circus Centre, Movement Studio. May 13 – 16, 2015

There is something clearly fishy going on at NICA, the only institution in Australia where you can get a Bachelor degree in Circus Arts. The 2nd year students have pooled their talents (yes a fishy pun…) to create a piscean inspired cabaret.

This Is Where We Live

By Vivienne Walshe. State Theatre Company of South Australia and Hothouse Theatre. Directed by Jon Halpin. The Space Theatre, Festival Centre, Adelaide. May 12-16, 2015

This Is Where We Live is a confronting hour of theatre, that is uncompromising in its exploration of such topics as teenage alienation, depression, substance abuse, dysfunctional families and social prejudices.

Massacre

Directed and written by Paulo Castro. Produced by Colectivo 84 (Lisbon). Australian Tour co-produced by Stone/Castro. Performed by Paulo Castro and John Romão. SEGUE Festival at the Street Theatre, Canberra, 9 May 2015 and La Mama Courthouse, Melbourne, 13 - 17 May 2015

As we were ushered in, we were asked to take a seat near the centre perhaps so that the performers could direct the full intensity of this extraordinary piece directly at us, breaking the metaphorical fourth wall with glares straight into our souls—or at least, that was how it felt. Paulo Castro’s Massacre is blood-soaked poetry full of anger, resentment and accusation, with moments of quiet beauty and foreboding moving towards horror. This is not a straight retelling of the story and there is no realistic "massacre" as such.

A Bengal Tiger At the Baghdad Zoo

By Rajiv Joseph. Directed by Andre Victor. Playlovers' Theatre, Hackett Hall, Floreat, WA. May 8 -23, 2015

Some productions have a more difficult gestation than others, and it would appear Playlovers' A Bengal Tiger At the Baghdad Zoo pregnancy and labour were more fraught than most. Directed by debut director Andre Victor, it is very powerfully acted and the excellent performances make up for any shortfalls in production dressing.

Very simply staged — in a very minimalist style — which may be more accident than design, the lack of decoration has the advantage of throwing more emphasis on the actors.

Thoroughly Modern Millie

Book: Richard Morris & Dick Scanlan. Music: Jeanine Tesori. Lyrics: Dick Scanlan. UMMTA. Director: Spencer Hadlow. Musical Directors: Taylen Furness/Vanessa Tunggal. Choreographer: Keshia Contini. Union Theatre, University of Melbourne. May 8 – 16, 2015.

This was an unusually conservative choice for a University company, but very well done. Minimalistic sets were pushed around stage, allowing quick changes of scene. The direction was excellent.

Grace Haslinghouse was a feisty Millie with an excellent voice and she worked very well with Tom Kantor as her love interest, Jimmy. His light lyric tenor was a delight.

The Crucible

By Arthur Miller. Directed by Jordan Best. Canberra Repertory. Theatre 3, Acton, Canberra. May 1 – 16, 2015

The set design by Michael Sparks is otherworldly, a forest from an imagined time and place with rope branches hanging with ominous portent, and simple benches doing double or triple duty as a bed or table or wall. The set is lit expertly to a design by Kelly McGannon. The emotional temperature of the work is heightened and enhanced by this combination. Sound design by Jordan and Peter Best is subtle.

Le Noir: The Dark Side of Cirque

Canberra Theatre. May 6–10, 2015

Former violinist Simlon Painter and entertainment organiser Tim Lawson, in creating the vision for this show, whose world tour commences in Australia, have created something that rivals Cirque du Soleil itself for sheer magnificent spectacle.  Under the obviously exacting direction and choreography of Neil Dorward, every act without exception enthralled the audience with daring; tight execution; and superb showmanship.

The Wizard of Oz

Adapted by the Director Adena Jacobs, cast and creatives from the novel by L Frank Baum. Belvoir. May 2 – 31, 2015

“Excruciating!”

“I am 84, thank goodness I will never have to see a play like that again before I die!”

“The dog was good!”

These were three comments heard from paying customers walking out of the theatre after the one act self-described ‘radical feminist take’ on the beloved Wizard of Oz.

The company warned patrons to leave children at home, but the thought crossed my mind that if there have been two acts – many in the audience would have gone home early.

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