Reviews

The Edit

By Gabrielle Scawthorn. Unlikely Productions and Legit Theatre Co. Director: Gabrielle Scawthorn. Belvoir 25a, Belvoir St Theatre. Surry Hills. 10 - 26 October 2025

Despite her own experience and extensive research into the industry, writer/director Gabrielle Scawthorn still loves reality TV. Yet in her play The Edit she systematically picks away at the silky flesh of its participants and producers gradually revealing skeletons scarred with the fractures of ambition, mistrust and abuse, lies, control and manipulation.

Hot Girls Don’t Poo

By The Sh*t Stirrers. Backbone Festival. Ron Hurley Theatre, Qld. 9 – 17 October, 2025

If you’ve never considered defecation an act of defiance, you’re about to get your mind blown. Hot Girls Don’t Poo is an absurdist feminist romp that splatters the walls of polite society with equal parts wit, slapstick, and social commentary. Presented by Brisbane comedy duo The Sh*t Stirrers (Madeline Armit and Tai Kane-Potaka), the show takes the taboo of female bodily functions and turns it into a full-blown (and gloriously ridiculous) rebellion.

The Sorcerer

By W.S. Gilbert and Sir Arthur Sullivan. Gilbert and Sullivan Opera Sydney. Directed by Elizabeth Lowrencev. Musical Direction by Rod Mounjed. North Sydney Shore School. Oct 10 to 12, 2025.

Gilbert and Sullivan were on the cusp of superstardom when they penned The Sorcerer, their third collaboration and first full-length operetta.

An aficionado told me in the foyer that you can hear the seeds of The Pirates of Penzance and HMS Pinafore in the score.

With a sumptuous 36-piece orchestra, a fine troupe of young emerging stars, experienced older hands and disciplined chorus, the company produced a very pleasing traditional production of the piece.

Flesh Mirror

Co-devised by Weave Movement Theatre with Rebecca Jensen, Marco Cher & Zoe Scoglio. Presented by Arts House and Melbourne Fringe as part of Pulse. Arts House, North Melbourne. 8 – 12 October 2025

In dim light, people sit at a table, face down, unmoving.  Asleep, unconscious, dead?  No – they begin to speak, as much to each other as to us, of what they see – see not imagine.  Masses of colour, shapes that might be something else...  As they reveal these visions, they are filmed by an abled camera operator with a long, slow developing shot that is projected on a huge screen above them...

Four Real - A Series of One Act Plays

By Jean Blasiar, Kristen Doherty, David Ives and Lin-Manuel Miranda. Darlington Theatre Players. Directed by Dean Michael, Rebecca McRae, AJ Giltrow and Breanne Lucas. Marloo Theatre, Greenmount, WA. Oct 3-18, 2025

Darlington Theatre Players’ season of one act plays offers something for everyone, with a great variety of short plays, all of good quality, which together give us a well-rounded evening of entertainment.

Disorderly Women

Written and directed by Gillian Sealby. Performed by The Disorderly Company. Melbourne Fringe. Curate Space, Little Collins St. October 9 – 12, 2025

Disorderly Women, a superbly crafted musical theatre show, explores the lives and times of four convict women who were sentenced and transported to Sydney Cove, one year after the First Fleet on the only all-female convict ship, the Lady Juliana, arriving in 1789.

Pop Showcase

Created, Arranged, and Performed by the Third Year Bachelor of Popular Music Students from Queensland Conservatorium of Music. Conservatorium Theatre. 10 October, 2025

At the Queensland Conservatorium’s Pop Showcase, the air shimmered with nerves, pride, and pure possibility. These weren’t just songs, they were milestones, each one marking the culmination of years of study, collaboration, and artistic self-discovery. The third-year Popular Music students stepped into the spotlight to present an evening of original compositions, including works that were heartfelt, inventive, and unfiltered in their youthful ambition.

THE BLOK!

Devisors: Kamarra Bell-Wykes, Alexis West and Chatbot GTP. Company: A Daylight Connection. Melbourne Fringe. Director and Co-Director: Kamarra Bell-Wykes and Carly Sheppard. Sound Design and Musician: Andrew James. Lighting Design: John Collopy. Stage Manager: Holland Brooks. Northcote Town Hall Arts Centre, 189 High Street, Northcote VIC 3070. 8 - 18 October 2025

The Master (Carly Sheppard) has been chosen to save the Universe including Earth from destruction through the production of an artwork. At first, The Master revels in the task, but the reality of the pressure leads to an artist’s block and attempts to produce the needed work consumes the rest of the play. Carly Sheppard takes this surreal proposition and wrestles it into an engaging, humorous, and challenging event.

Fate

Adelaide Symphony Orchestra. Adelaide Town Hall, King William St, Adelaide. Oct 10-11, 2025

The Adelaide Symphony Orchestra have once again excelled with a perfect program selection for their latest presentation, Fate, conducted by Martyn Brabbins.

Before the main program we are treated to an Acknowledgement of Country by Jack Buckskin arr./orch Ferguson – Pudnanthi Padninthi. With no conductor in sight, the piece is led by the rhythmic clapping of boomerangs from the percussion section. An orchestral reminder of the country we are all sharing.

The Glass Menagerie

By Tennessee Williams. Ruby Productions. The Ruby Theatre, Level 1, 15 Evan Street, Penrith. October 10 – 18, 2025

Under the direction of Anthony Brown and Ann Attwood, this production eloquently captures the fragile beauty and melancholy of memory, breathing life into the tale that first touched Attwood during her high school years in the 1970s.

Set against the backdrop of 1940s St. Louis, the play unfolds within the modest apartment of the Wingfield family.

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