Driving Miss Daisy

In Atlanta in 1948, Daisy Werthan, a 72 year old Jewish widow has a car accident. Her concerned son, Boolie, hires Hoke Colburn, an African American man to be her chauffeur. Initially an awkward and hostile relationship, over many years, the two develop a deep, life changing friendship.
Koorliny’s production, playing to healthy houses, is warm, charming and beautifully told. An excellent directorial debut from Jon Lambert, this story is well told, and nicely crafted by three very strong performers. While the very convincing southern accents and the age of the characters lead to a very gently paced show, this is a shortish play that entertains throughout.

Suzannah Churchman is an outstanding Miss Daisy. While all three actors are young for their roles, Suzannah plays a woman in her nineties with conviction and understanding. Very likeable as the cantankerous and stubborn title character, she brings depth and charm to every scene.

Erik Bibaeff’s very polished, very natural portrayal of Hoke Colburn belies the fact that this his stage debut, giving a performance of which a veteran actor would be proud, with Ben Small completing the trio with a very multi-layered Boolie Werthan, in a strong performance throughout.

Director Jon Lambert also designed the set, lighting, sound, audio-visual and costuming, which may explain the unity of design. The newsprint backed set adds context and time, while simple furnishings moved and used for multiple purposes, and AV effects, allow swift transitions between scenes.

A feel-good show, with heartfelt performances, Driving Miss Daisy oozes Southern hospitality, while exploring important issues. A lovely production.

Kimberley Shaw

Images: Deprimo Photography