The Elixir of Love

This latest offering of the popular The Elixir of Love had an Australian setting and was a real hoot. Set in the First World War, the stage was awash with corrugated iron hills, sheep, cattle, and even a string of galahs on a wire. At one stage Nemorino sheared a sheep or two, and carried the corrugated iron fleece off stage.

Though this production has been around for some time, this was my first encounter with it and I found it a delightful take on this well-known opera. At various times the corrugated iron animals would make appropriate noises, which added to the fun. The ocker sur-titles were very funny.

Rachelle Durkin was a delightful Adina. She sang the coloratura with pin-point accuracy and her voice was lovely. Aldo Di Toro was an ardent Nemorino with a terrific voice, and he managed the pathos without it becoming cloying.

Christopher Hillier was a swash-buckling Belcore. His duet with Nemorino, convincing him to join the army, was very funny as he measured him up for his uniform. I’m sure there are plenty of baritones who would have paid money for the opportunity to pull a tape measure tightly around the throat of a tenor as he was attempting a top note.

The experienced Conal Coad milked every laugh as the snake-oil salesman, Dulcamara. His duet with Adina was particularly funny, and he sang well. Having him produce a bottle of Coca Cola as the Elixir was a stroke of genius. Eva Kong was an enchanting Giannetta.

But it was the new take on an old opera which was the winner on the night.

Graham Ford

Photographer: Jeff Busby.