Reviews

The Edge is unusual in that the central character, Josh, is never seen. We learn a lot about Josh in the two hour show. Josh is the favourite son of his mother; his brother feels the burden of caring for him; he has found a close friend in the café in which he works; his former flat mate has a crush on him; he has had the same best friend since childhood and he has recently proposed to his girlfriend. Josh is a high achiever, very artistic, but is also very troubled and is living on 'the edge'.

The set, the work of Jake Sanger, is enticing. The Victorian parlour, however, is not all that it seems, much like the conflicted man, Lewis Carroll. Projections and back lighting augment scenes in which Chris Hamley, as Carroll, narrates his tales. These are played out by an ensemble of three highly capable and versatile actors with great energy and humour.

These playfully mad episodes are juxtaposed against darker scenes in which Carroll appears to confront other demons.

If you missed Penrith’s Seussical then you missed a spectacular treat. This big bold musical that brings together major characters from the books of Dr Seuss was not only fantastic quality entertainment but was also a lesson in crowd management. There were 91 in the cast and whenever all or most of them were on stage (which was lots of times) they were positioned in such a way so that each one could always be easily seen. I don’t know how directors Bek Want and Brenden Neaton achieved this feat and made it look easy.

Be More Chill is a relatively new musical, based on Ned Vizzini's novel of the same name, with a book by Joe Tracz and Music and Lyrics by Joe Iconis. Strangely for a show which is yet to have a Broadway (or even Off-Broadway) run, it also has an “underground” or cult following, which has led to capacity houses and requiring Musical Director Krispin Maesalu to make (an obviously 'once burned' announcement) that audience members are requested not to sing along “even if you DO know all the words”.