Reviews

Between Tiny Cities

Adelaide Festival. (Australia and Cambodia). Lion Arts Theatre. 28 February - 4 March, 2020

Between Tiny Cities is an exciting and thrilling hip-hop dance piece, created by Australian hip-hop choreographer Nick Power. It is the result of a wonderful collaboration over four years between hip-hop groups in Darwin and Cambodia.

Dimanche

By Julie Tenret, Sicaire Durieux and Sandrine Heyraud. Cie Chaliwate & Cie Focus (Belgium). Adelaide Festival. Space Theatre, Adelaide Festival Centre. February 28 – March 7, 2020

Dimanche, presented by Cie Chaliwate & Cie Focus from Belgium is an extraordinary piece of ‘family theatre’, and is a welcomed addition to this year’s Adelaide Festival. We journey through inter-related sketches involving a small group of people facing apocalyptic change. Whilst never directly stated, this apocalypse is the result of severe climate change. Subsequently, whilst relatively harrowing and tragic, it is also extremely topical and relevant at this time.

The Winter’s Tale

By William Shakespeare. Presented as part of Asia Topia. Directed by Bob Pavlich. La Mama Courthouse 349 Drummond Street Carlton. 4-8 March, 2020.

This is an interesting and accomplished co-production between Hong Kong Shax Theatre Group and La Trobe Student Theatre that explores the plays themes well.

Enterprise

Adelaide Fringe. Black Box Theatre, Noel Lothian Hall, Adelaide. 3-15 March 2020

Four business colleagues try to save their company from the brink of collapse in this express comedy from American writer Brian Parks – and this corporate satire finds new laughs in familiar places.

Vivaldi’s Venice

Australian Brandenburg Orchestra. Artistic Director: Paul Dyer. Harp Soloist: Xavier de Maistre. ABO, Concert Hall, QPAC. 3 March 2020

At the completion of last night’s program, Xavier de Maistre quipped at how incongruous it was playing “Winter” in Summer as a reference to Brisbane’s currently sticky heat. But the piece, which comes from Vivaldi’s “The Four Seasons”, was one of the highlights of Vivaldi’s Venice, a concert of baroque music by Venetian composers with the Australian Brandenburg Orchestra and guest artist French harp poster-boy Xavier de Maistre.

Dietrich: Natural Duty

Adelaide Fringe Festival 2020. Black Box Theatre – Adelaide Botanic Gardens March 3 – 15, 2020

Marlene Dietrich was one of the most glamorous leading ladies of the 1930s and 1940s. She will always be remembered for her smouldering sex appeal and distinctive voice. Her long career spanned from the 1910s to the 1980s and during this time she continually reinvented herself.

Single

Adelaide Fringe. The Piglet at Gluttony. Mar 3 – 8, 2020

One thing I learned about this fast-paced, 60-minute, highly interactive show is not to put your hand up and answer questions. Such is the nature of late night comedy on the topic of relationships, mating and the depressing facts of divorce. Whatever you do, do not offer advice on the secrets of a long relationship, or you become part of this zany show.

Children of an Idle Brain

Devised and directed by cast, with George Franklin. Adelaide Fringe. Scrambled Prince Theatre Company. Bakehouse Theatre. 2-7 March, 2020.

It feels entirely appropriate that a playwright whose canon contained multiple instances of gender-based deception from various characters – and whose female roles could initially be played only by men – has inspired Scrambled Prince to devise and present a rethinking of perhaps his most iconic tale - Romeo and Juliet - that features not just a number of female cast members playing traditionally male characters, but also more than one romantic relationship that – certainly in the Elizabethan era - could be considered ‘unconventional’.

Echoes of Pink Floyd

Adelaide Fringe. Lion Arts Factory. February 29, 2020

When you are saluting a band as well-known as Pink Floyd, you are setting yourself up for some harsh criticism from ardent fans, but for the most part this line-up does a fabulous job bringing to life a back catalogue of hits.

Moby Dick

Adapted by Ross Ericson from the book by Herman Melville. Adelaide Fringe. Bakehouse Theatre, Adelaide, 2-11 March, 2020

“Call me Ishmael,” booms Ross Ericson, projecting his voice to every corner of the Bakehouse Studio, narrating the story of the hunt for the infamous whale. Ericson has condensed the 135 chapters of the great American novel into an hour-long monologue.

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