Reviews

So You Die A Little

By Tony Brockman & Matthew Ryan. Brisbane Arts Theatre. 3 Sept – 1 Oct 2011

Richard Hunt and Gregory Rowbotham’s extraordinary industrial-looking set tickles your funny bone as soon as you enter the theatre and prepares you for the inspired lunacy that’s coming.

This is an early Brockman and Ryan play. It suggests potential that could see them develop into Australia’s equivalent of Ray Cooney & John Chapman if they keep writing.

The Threepenny Opera

By Bertolt Brecht and Kurt Weill. Sydney Theatre Company / Malthouse / Victorian Opera.. Director: Michael Kantor. Conductor: Richard Gill. Sydney Theatre. September 3 – 24, 2011.

BRECHT AND CO SHOULD SUE

Phillip Patterson wrote to Stage Whispers after he read David Spicer's review of The Threepenny Opera (which follows).

Medea of Baghdad

By Ali Alizadeh. La Mama Theatre, Carlton. August 31 – September 11, 2011

Playwright Ali Alizadeh’s Medea of Baghdad is a monologue that places the ancient Greek tragedy written by Euripides into a modern context. Intriguingly, his Medea (Miranda Nation) is a wide-eyed young Australian university student who falls in love with an Iraqi asylum seeker while he’s in detention. With a setting straight from the front pages of our newspapers, and an ancient myth to refer to, Medea of Baghdad promises fresh insights into an up-to-the-minute contemporary issue.

Transparency

By Suzie Miller. Seymour Centre and Riverside Productions. Seymour Centre, September 1 – 17, 2011; Riverside Theatres, Parramatta, September 20 – 24.

Suzie Miller’s play Transparency is an extraordinarily well written piece of theatre. It is eloquent and sharp, with exceptionally well drawn characters. It has the bravery to deal with the deeply terrifying yet fascinating subject of the rehabilitation of violent juvenile offenders and their reintroduction back into society as adults.

Doris: So Much More than the Girl Next Door

Her Majesty’s Theatre, Melbourne: August 23 to September 4, 2011. Regal Theatre, Perth: Oct 12-23. Twelfth Night Theatre, Brisbane: Nov 15-27

OK, I admit it! I’ve always been a fan of Doris Day. Clearly I was not her only fan based on the attendance at Her Majesty’s Theatre of many other adoring Doris Day fans, albeit most of them were over the age of 50.

Future of the Species: part one

Written and performed by Maude Davey. Director: Ingrid Voorendt. La Mama Theatre, Carlton (Vic). September 1 – 11, 2011

This savage and seductive one-woman play written and performed by Maude Davey (whose recent credits include Summer Heights High, and The Burlesque Hour) challenges the audience to compare one life with another, and decide ‘who’s worth more?’

PYJAMAS IN PARADISE

By John Michael Howson, Peter Pinne and Ashley Irwin. Choreography and direction by Tony Bartuccio. Gold Coast Arts Centre (Qld). September 2 - 10, 2010.

This show sizzles. It burst onto the Gold Coast stage the way Bernie Elsey’s original Pyjama Parties splashed across 1960s media: youthful abandon, provocative with innuendo, energy, and sheer joy. The writers captured this mood and the period, and the players dragged us kicking and writhing into that era.

It’s a big cast: eighteen principals, show band of twelve, seven backing booth singers, and a host of stage extras.

God of Carnage

By Yasmina Reza. The Mount Players (Vic). Mountview Theatre, Macedon. Director: Natasha Boyd. Stage, Set and Costume Design: Alison Dudon. August 26 – September 17, 2011.

On a beautifully designed and constructed set, God of Carnage is a wild romp that is well handled in its first Victorian amateur production by Mount Players.

Circle Mirror Transformation

By Annie Baker. Melbourne Theatre Company. Director: Aidan Fennessy. Set and Costume Design: Marg Horwell. Cast: Deidre Rubenstein, Roger Oakley, Ben Grant, Kate Cole and Brigid Gallacher. Lawler Studio. 17 August – 17 September, 2011.

Appropriately simply staged, in a mirrored workshop space, this natty little play comprises sequential highlights of a series of Drama Workshops that resonate as extraordinarily realistic. The workshops are run by an earnest and well meaning facilitator Marty who is played to perfection by Deidre Rubenstein. Marty is apparently determined that her process will be productive and supportive, regardless of the lack of dynamism or stability engendered by an inadequate number of participants.

Moby Dick

Unpublished
By Jake Heggie. State Opera of South Australia. Festival Theatre - 27 August to 3 September, 2011.

The opening night of Jake Heggie’s opera Moby Dick was a triumph for the State Opera of South Australia and its new Artistic Director and CEO Timothy Sexton, who also takes the helm as conductor. In a truly spectacular production directed by Leonard Foglia and co-commissioned by no less than five opera companies, including SOSA, the tragic tale of Captain Ahab and his monomaniacal obsession with the white whale is brought vividly to life on stage at the Festival Theatre, through a remarkable combination of computer animation, ingenious set design and excellent casting.

To keep up with the latest news and reviews at Stage Whispers, click here to like us on Facebook, or follow us on Twitter.