Godspell

Harbour Theatre and Studio2Stage present the 2012 revival version of Godspell with enthusiasm and a sense of fun. Godspell, based on the Gospel of St Matthew is often remembered for its “hippie” vibe and seen as very much a product of the 1970s. This version is made for the millennial with contemporary references and a clean, present day vibe. 

This is a very youthful show, with a cast ranging from 14 to 22, and a musical director, choreographer and stage manager all aged just 20. While at times inexperience shows a little bit, exuberance and camaraderie fill the gaps. I saw a midweek show, which featured three alternate performers, and I can only assume that there was no drop in standard from the usual cast, as the replacements were all very strong. The characters, with the exception of Jesus and John the Baptist are all female, which I assume is because of the general lack of available men, but this may unintentionally send messages that the show does not intend to send.

Edan Frazer, one of the younger actors on stage, at 17, is a convincing, enigmatic and likeable Jesus, who anchors this show with confidence. He worked brilliantly with Zachary Cave covering the dual role of John the Baptist and Judas. Their vaudevillian duet ‘All For The Best’ was a show highlight.

Another replacement performer, Beth Tandy, was impressive as Anna Maria, with a lovely rendition of ‘Day by Day’. Choreographer Mikaela Innes (who did some wonderful work with a variety of dance experience and a very small stage) very nicely swung in as Lindsay.

Laura Foster brought a lovely fresh sincerity to Celisse, Loralie Cole brought a power house voice and big attitude to Morgan, with lovely support and great team-work from Shelby Foster (Nicky), Tara Butt (Uzo) and Michele Gould (Georgie).

The performers improvise nicely, especially when they work with people drawn from the audience - Peter and Vic at this performance.

Director Jodie Innes’ set design is simple and effective, with strong evocative lighting choices, operated by Katt Nelson. Sound was nicely balanced by Sam Emons under the direction of Helix Audio and Visual. 

This was a lovely ray of sunshine of a production, performed during a heavy storm, by a group of very young creatives, to a decidedly older audience. There is certainly some of St Matthew’s message in that.

Kimberley Shaw