Reviews

La Nonna’s Saucy Sauce Day

Created & performed by Samuel Dariol and Anna Cerreto. La Mama HQ, Carlton. 7 – 11 February 2024

It’s the traditional day to make passata – chopping, crushing, bottling the summer’s best tomatoes – juicy, rich – but gotta be cheap.  Two nonnas – played by sparky, vivacious Anna Cerreto and pernickety, dour Samuel Dariol (in drag) - prepare for the big day… But, oh, no, they don’t have enough tomatoes! 

MENwhoDANCE ‘Alpha’

Adelaide Fringe Festival 2024. Star Theatre One at Star Theatres, Hilton; Feb 6 & Feb 20 – Mar 3, 2024; Port Lincoln, Feb 8; Whyalla, Feb 9; Port Pyrie, Feb 10; Renmark, Feb 14; Mt Gambier, Feb 16.

The title of this production is MENwhoDANCE ‘Alpha’. However, it is so much more than that. The boys don’t just dance, they sing and most of all they entertain!

The men in question, Charlie, Calin, Bailey, Willian, Rhys and Dhuruva individually have their own styles but mould them into a tight unit which is like a union of Human Nature and Manpower, they are the boy band of dance groups.

The Children

By Lucy Kirkwood. Presented by State Theatre of South Australia. Dunstan Playhouse. 2 – 17 February 2023

‘I don’t know how to want less’ says Hazel in desperation, a child’s response to an adult question, when presented with choices in preservation. She’s a mother of four, grandmother to four more, who has spent her life trying to prolong her future: with sunscreen, yoga, and salads. Her husband Robin thinks too much of himself and drinks too much of his home-made wine. Rose was a co-worker to them both, an occasional lover to Robin, and has returned from self-exile in America with secrets to share.

An Inspector Calls

By J.B. Priestley. Castle Hill Players. The Pavilion Theatre. February 2 – 24, 2024

An Inspector Calls’ enduring relevance lies in its exploration of class divisions, ethical dilemmas, and the ramifications of unchecked privilege. It is as relevant and conversational today as ever. We may be peering into a living room from long ago, but who do we see inside? 

Each character's moral complexity contributes to the narrative, prompting such reflection on personal integrity, social consciousness, and the collective impact of individual choices. This enduring masterpiece resonates across time and societal contexts.

Amanda Palmer

At the Hamer Hall, Arts Centre Melbourne. February 3, 2024.

I have never seen Amanda Palmer perform live. I really only came to know of her in more recent years, after I exploded out of my marriage, culture and religion - a very sheltered, naïve and impressionable single mum. A few new arty friends were proclaiming I needed to check her out like my life depended on it.

Tiny Beautiful Things

Adapted for the stage by Nia Vardalos, from the book by Cheryl Strayed. Co-conceived by Marshall Heyman and Nia Vardalos. A Queensland Theatre Production, in association with Trish Wadley Productions. Director: Lee Lewis. Belvoir Street Theatre. 1 Feb – 2 Mar, 2024

Cheryl Strayed’s book Tiny Beautiful Things was published in 2012. It is a collection of letters she received and answered, anonymously, and unpaid, in an advice column called “Dear Sugar” on an online literary website. Topics ranged from mundane questions to lifetime sorrows.  When it was suggested to Canadian writer and actor Nia Vardalos that it might be adapted for the stage, Vardalos was astonished by the “raw and extraordinary candour” of both the writers of the letters and Strayed herself.

Meg Washington

With The Sydney Symphony Orchestra. Sydney Town Hall. 3rd Feb, 2024

Image: Meg Washingto. Photographer: Zac Bayly

Shrek The Musical

By David Lindsay-Abaire and Jeannie Tesori. Old Nick Summer School. Director: David Thomson. Musical Director: Andrew Castles. Puppetry and Properties: Helen Cronin. Lighting: Gareth Kays. Costumes: Helen Cronin. Choreography: Kristy Baker. Set: Chris Oakley. Sound: Andrew Johns. The Don Bosco Performing Arts Centre, Tasmania. 1-11th February 2024

When Shrek, the Musical, was announced as the 2024, 20th anniversary Old Nick Summer School production, a ripple of disaffection went through the community of aspiring actors. A fairy tale? A kids show? Shrek, The Musical, is none of these. This is a well written, well-orchestrated and relevant show, with many interesting and challenging roles for performers.

Groundhog Day the Musical

Book by Danny Rubin. Music and lyrics by Tim Minchin. Developed and directed by Matthew Warchus. GWB Entertainment. Princess Theatre Melbourne. January 4 - April 7, 2024

Well should I, or shouldn’t I watch the movie again before I see the musical? Isn’t that the question everyone asks when they are about to see a stage play that started its life as a screenplay?

In this case the screenplay of the 1993 movie of the same name (staring Bill Murray and Andie MacDowell).

My answer, ‘no I didn’t and I am glad I didn’t,’ as this forced the musical to stand on its own feet without (unnecessarily) referencing the film.

In The Heights

By Lin-Manuel Miranda and Quiara Alegria Hudes. PACA Productions. Directors: Rodrigo Medina Noel and William Pulley. The Concourse Chatswood. 2 – 11 Feb, 2024

If In the Heights is, as the directors describe, “a poignant portrayal of the immigrant experience, highlighting the struggles, aspirations and triumphs of the Latinx community” in New York’s Washington Heights, then this production is a jubilant celebration of the many migrants from South American countries – and other parts of the world – who have made their homes in Australia.

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