Reviews

‘All the rest…’ of what?  There are those who are talented… and all the rest.  Or there are those who get a lucky break and… there’s all the rest, who didn’t.  Or there are those who are confident and pushy and make the right connections and… all the rest.  Talent - let alone ‘originality’ - may have little or nothing to do with it.  It’s not who you know, it’s who knows you. 

When A.R. Gurney described his play Love Letters as needing “no theatre, no lengthy rehearsal, no special set, no memorisation, and no commitment from its two actors beyond the night of performance”, he failed to explain what actors and directors could do with this unusual script.

A tradition of grand opera over the centuries has been the inclusion of a ballet – inserted into the production with some link to the narrative - as an opportunity for spectacle and reflection. These are often cut or downsized from contemporary performances for economic reasons.

This production - a joint project of Opera Australia, Opera Queensland and Circa - flips this tradition on its head. Such was the quality of the choreography and acrobatics, that it felt like an opera had been inserted into a ballet.

Sammy Butcher is the sole surviving Indigenous musician from the Warumpi Band, which  began in his community of Papunya in NE Arnhem Land and toured enthusiastic communities and then cities here and overseas through the 1980s.  The first to sing in language, the Warumpi Band created anthems which radicalised Australians, black and white, into action on Aboriginal concerns and landrights. The charismatic lead singer, the late George Burarrwanga, was a performer to be reckoned with.