Reviews

A female toilet in a nightclub is the unassuming setting of this powerful play. Rosie, played by Janet Anderson (she/her), finds herself trapped in the toilet and is surrounded by menacing thumps on the walls and door. The presence of trans women in this social space has become not only contentious but also dangerous. The terrible harm of the threat of physical or psychological harm as a result of an everyday act is forcefully portrayed in this show. Overflow provides a strong and emphatic voice to the trans community.

This body at work belongs to Frankie van Kan: among other things, a dancer (table, lap, pole), stripper, sex-worker, and masseuse.  All work that needs and uses her body.  To demystify that body, Frankie begins her show by stripping off a tracksuit, down to nothing but a bra and G-string.  Then, to get any prurience, titillation, ‘mystery’ and even eroticism out of the way, the G-string comes off too and Frankie openly displays her pudenda (‘labia’ as she puts it – or sometimes ‘puss’) in a variety of faux provocative poses f

The Inheritance is many things.  It chronicles the fraught relationships – sexual and otherwise, tender, cruel, obsessive, bewildering, giving and selfish, destructive and self-destructive – of a group of characters across a vast span of time.  It is vast because it drags the key characters’ pasts into the present, and the past and their pasts are vitally important elements of the story.  It is also funny with sharp and snappy one-liners and bitchy gay humour.  It is, if you wished to be reductive, an engrossing, sprawling soap opera about gay

As the first instalment of Baz Luhrmann's 'Red Curtain Trilogy' (alongside Romeo + Juliet and Moulin Rouge!) the 1992 movie Strictly Ballroom (earning over $80 million worldwide) has become one of Australia's most successful and loved film musicals. All of Luhrmann's projects (including Australia, Gatsby, Elvis & La Boheme for Opera Australia) are synonymous for their unique storytelling style and extravagant visuals.