Neighbourhood Watch

Neighbourhood Watch is about the rich complex life of Ana, an acerbic aging Hungarian woman.  Our amazing matriarch of theatre Robyn Nevin is truly a ‘tour-de-force’ as Ana, who is depicted through her interactions with the people living around her.  It is fascinating to watch Ms. Nevin’s rich and multi-layered characterization.  Working opposite her, Megan Holloway, as Catherine, adroitly bridges the gap of portraying a vague self-interested young actor and Ana’s younger self, both on treacherous journeys to adulthood.

Ms. Katz’s whimsical, insightful and often surreal writing requires sensitive deft handling.  Simon Stone’s remounted (Belvoir Street) production successfully taps into the essence of the text.  Whilst, on one hand, presenting the simple every day, on the other, it allows for the ‘once-upon-a-time’ slippage to be subtly incorporated thereby honouring the writer’s intrinsic departures from the mundane into the dreamlike.

Lally Katz’s unique work delves into the subliminal, giving the sense that it stirs the subconscious. There is usually a strong essence of the feminine in her craft, which brings to mind the work of Jenny Kemp. 

Ms. Katz’s young characters often blunder in a raw, and kind of embarrassing way that can be highly endearing. Both Catherine and her housemate Ken (Charlie Garber) lurch awkwardly along as young adults trying to make their friendship, careers and mode of living work.

In Neighbourhood Watch the subject matter of the hidden past, vitality and strength of an old woman and how she communicates her wisdom to a much younger a woman is perfect material for both Ms. Katz and Ms. Nevin to weave magic. 

This production and performances has the power to suck one through the vortex into a liminal space.  Once there, past the slippage, one can be entranced and engage openly with a sense of wonder at what is taking place - in the rarefied theatrical world created. The changes in atmosphere and realities are most obviously facilitated by the intense use of light by Damien Cooper and are endorsed movingly by Anthony Harkin’s piano accompaniment of music set by Stefan Gregory (Composer/Sound Designer). 

Multiple roles are skillfully and poignantly portrayed by Natasha Herbert, and pianist Anthony Harkin delights with his quick surprising character transformations.

The translation from the smaller stage at Belvoir Street was not entirely comfortably realized on opening night and the vast unadorned, unyielding, stage of The Sumner appears to offer little support for the actors. But it is unlikely to take a cast of this caliber long to feel and look completely at home on this stark set (Dale Ferguson).

Satisfying, rewarding and recognizably funny – with more than a smattering of magic.

Suzanne Sandow

Image: Megan Holloway (Catherine), Kris McQaude, Robyn Nevin (Ana) and Anthony Harkin. Photo © Jeff Busby.