The Phantom of the Opera

Back in 1986 this iconic show had everyone doing a classic double-take when Michael Crawford literally became an overnight sensation. Who knew 'Frank Spencer' could sing – let alone make audiences swoon?

Arguably the most famous of all 'modern' musicals – The Phantom of the Opera took its sweet time in becoming available to Amateur production companies. With its dynamic, operatic score, the crucial need for versatile, evocative set design, vibrant costumes, special effects and last but not least – convincing actors, it's little wonder really.

Any 'amateurish' attempts at this production in particular would come off more tragic than most.

GMS's production is not merely accomplished, it is emphatic.

Having spent several years touring the globe as one of the Ten Tenors, prodigal son Ben Stephens has returned to his old stomping ground to play a role tailor-made for his emotionally-exquisite vocal range. The (shared) role of Christine was played on this occasion by the comely, graceful Vivienne Calwell who, along with Joshua Keane as Raoul, Sally Loughnan as Carlotta, Russell Hull as Ubaldo, Helen Herridge as Madame Giry - all more than held their own alongside Ben's searing and powerful performance.

You know the costumes must be good when they get their own round of rapturous applause at the opening reveal of Act II, before a note had been sung. Along with the sublime set design, lighting, sound and musical direction, there certainly wasn't anything to nit-pick about. This was as good as it gets.

Director Christopher Hamilton has clearly put his heart and soul into every single aspect of this show and a hardworking and dedicated cast and crew has more than risen to the occasion. Bravo!

Rose Cooper

Images: Hannalise Paris Photography.