The Producers

The Producers
By Mel Brooks and Thomas Meehan. JYM Theatre Co (Vic). Phoenix Theatre. May 11 – 25, 2013.

A Tony-winning musical in local hands, JYM Theatre Co’s The Producers could’ve had the goods but sadly misses its mark, despite being led by an experienced production team, including producer Shlom Eshel and MD Phillip Setton. 

The songs and script by award winning Mel Brooks are hilarious. Max Bilaystock, a has-been Broadway musical producer, and nerdy accountant Leo Bloom, scheme a sure fire plan: to produce the worst musical ever, and take off with the backers’ money after closing on opening night. 

Whilst still evoking chuckles from the audience, the genius of the one-liners is not realised in Brendan Cohen’s direction. Opportunities for humour are missed in script and song. “I Wanna Be a Producer” and “Keep it Gay” should be show-stopping numbers, but aren’t. Having said this, the production balances the controversial themes in the storyline, including Nazi support, homosexuality and business fraud.

Sonny Beycher as Max Bialystock looked as though he was reciting his lines and songs. He works better with an ensemble; a pity as his numbers are designed to be self-carried. Steven Walker as Leo Bloom is terrific - strong in his physicality and voice he perfectly conveys awkwardness.  However there isn’t much chemistry between the two male leads.  Lisa Brash as Ulla and Joel Lazar as Franz Leibkind are likeable.  Stand out performances from the cast include Oliver Rose as Roger De Bris (Caulfield’s Barry White), Josh Mulcahy as Carmen Ghia (OTT in manner) and Romi Freedman as ‘Hold Me, Touch Me’ (hilarious).   

There is a good use of the large ensemble, including appropriate choreography by Cara Johnston for the theatre size. Special mention to Costume Designer Shari Cohen for her ability to convey characterisation through clothing. Costumes extended to the backstage crew, which is a nice touch.  Sets, however clumsily brought on and off, are often well utilised from scene to scene.

The night is long at the Phoenix Theatre, with the show running at 2 hours and 45 minutes.  It’s enjoyable enough, and is well supported by the local community. 

Tammy Shmerling

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