Reviews

‘He chose you, isn’t that enough?’ Brandon’s answer to Adam’s dilemma of having a boyfriend who is also a Christian. Next Fall explores the often-avoided subject of homosexuality versus religious faith and examines what it means to ‘believe’ and what it might cost if we don’t.

Premiering Off-Broadway in 2009 and using humour as a base, Next Fall’s themes are still as fresh today, diving into relationship conflicts, family disfunctions, mid-life crisis, coming out, and coping with loss among others.

Fifty years on, and still argued to be his best play, David Williamson’s The Removalists is here given a wickedly funny yet violent production by Johann Walraven at the New.

The director is blessed by Laurence Coy’s outstanding performance as the relentlessly bullying Sergeant Simmonds, a bull engine of spite and moral platitudes. His victim from start to climatic finish is young Constable Ross (an inventive Lloyd Allison-Young), fresh from training school, but the arrival at the station of the two sisters brings fresh meat. 

As a youth theatre company, Riot Stage has a history of addressing issues related to young people in a penetrative and insightful manner. Everyone is Famous is no exception. The show is co-created and performed by Bonnie Brown, Sunny Chiron, Mila Lawson, Anna Louey, Amelia Newman, Jack Palit, Lillah Summers Dixon, Liam Trumble, Alex Veljanovski. The performance takes a quasi-documentary approach to teens and young adults and their experience of the feral world of new media. 

William O’Halloran (Mark Salvestro) has just received a letter from his Head of Department.  He is forthwith dismissed from his position as lecturer in the English department for an ‘act of gross indecency’.  It’s the 1960s – not that long ago – and it’s a different world.