Reviews

Jonah grew up on a farm and spent his teenage years with a camera keeping watch for marauding hoons who began attacking the property after the death of his father. Sophie grew up on the Isle of Mann then moved with her father to share the ground floor of two flats in London. When her father dies and she loses her job, she moves into the first floor flat and renovates the other as a rental property, though she feels that she is gradually disappearing.

Both their mothers have died of pancreatic cancer. They are both now alone.

They say there’s nothing more certain than death and taxes, yet in My Friend Miss Flint the tax man certainly arrives but death is foiled, because how can you plan the death of someone who doesn’t exist?

This is a rather dated English comedy. Nevertheless, in this production directed by Barry Hill, it remains enjoyable due to the competent writing of playwrights Donald Churchill and Peter Yeldham, together with a strong cast.

Dogfight The Musical was a very emotional and sometimes confronting night at the theatre.

Set in San Francisco during the Vietnam War, the musical centres in on three young Marines on their last night before heading to Nam. The three B’s, Birdlace (Ryan Henderson), Borland (Matthew Giles) and Bernstein (Jed Arthur), decide to spend their last night playing a game of “Dogfight”, where the winner takes home $50.

Sometimes an ending that satisfies, surprises, and delights can go a very long way towards lifting a show into the winners' circle, and such is the case with Twist, a play operating in similar territory to classics like Sleuth and Deathtrap. If only playwright Miles Tredinnick's dialogue, plotting, and characterisation had been at least a little stronger and more distinctive than they are.