Reviews

Blaque Showgirls is a unique, timely, riveting work that is not for the faint hearted.  It is raucous, lewd, crude and ridiculously funny, politically very dodgy and out there.  Depending on one’s sensibility, it is perhaps a little destabilizing and disconcerting. 

Roleystone Theatre ensemble member Charlie Darlington had a Peggy Sawyer moment this week. Four days before opening night it was realised that Little Shop of Horrors’ leading man would be too ill to perform, and the decision was made for the lone male ensemble actor to take on the role of Seymour.

Charlie, although still on book during some of the wordier sections, did an excellent job, acting the role with conviction in a notable performance.

The rust is the taste of your own blood in your mouth.  The bones are what get broken, smashed and crushed.  This is a play about fighting, about male aggression and violence.  About being robbed of power.  Caleb Lewis has taken stories by Craig Davidson of three men – a boxer, a fighting dog breeder/trainer, and an Orca trainer at Sea World - and woven them together into a sort of contrapuntal aural montage so that the three stories and the three men who tell them bounce off each other, illuminating, contrasting and yet revealing what they have in common.

Sometimes a production comes along that sparkles like a true gem. New World Theatre’s Songs for a New World is just that.

Four experienced performers, Lara Boyle, Simon Chamberlain, Liam J. O’Byrne and Natalie Ridoutt, all with great voices and acting chops, brought Jason Robert Brown’s popular song cycle thrillingly to life. There was no denying their passion for the material, or the brilliance of the four-piece orchestra under musical director Andrew Wadley on keyboard.