Reviews

Puccini set La Bohème in the sybaritic Latin Quarter of Paris in 1830. Opera Australia’s 2018 production on Sydney Harbour saw it set in Paris in 1968 where civil unrest plagued the city. In this production, Gale Edwards sets it in 1930s Berlin in the final decadent days of the Weimar Republic where, “free of censorship, liberalism was extensive”.

Wherever it is set, La Bohème is a classic love story where the passion of first love is darkened by jealousy, mistrust and poverty.

This is a fun-filled show that operates on some deep-seated nostalgia for an era in which the pub was a safe and welcoming place where people could gather and feel at home. This utopian atmosphere is beautifully captured through the vibrant and powerful singing voices of this choir of men. The music, song and dance encourages a recasting of the pub as a place for these down-to-earth British blokes to enjoy their drink but also a place in which they should learn to be more communicative and not bury their emotions.

Circus is no longer just Circus! Technology has contemporised it, taken it out of travelling caravans and raised audiences’ expectations beyond the thrill of the daring performances to want more than the old “greatest show on earth”! They still want the thrills, but they want lights, sound – and even story – as well the action!

Five ‘nobodies’ – a New York ‘powder room’ attendant, an usher, a rookie journalist, a woman telling her father’s wartime story, and a waitress on Onassis’ yacht – each of them has an unforgettable encounter with a famous 20th century singer – Judy Garland, Patsy Cline, Billy Holiday, Edith Piaf and Maria Callas.