Production Team and Crew

Director’s Diary – The Beast

The Bangalow Theatre Company in northern NSW recently won five Gold Coast Palm Awards, including best community th ...

Intimacy On Stage

Photographer: Chelsea Hideki   Cast members used to be asked to work intimate and hyper sensitive moments out for themselv ...

Directors’ Diary: The Hunchback of Notre Dame Musical

How do you stage a musical which has Quasimodo swinging down from Notre Dame? The Blackout ...

Director’s Diary: Home, I’m Darling

Therry Theatre at Arts Theatre, Adelaide  By Jude Hines. Award-winning British playwright Laura Wade ...

A Digital Ring

Wagner’s Ring Cycle is considered the pinnacle of opera – an epic tale of gods, dwarves, dragons, heroes and a magic rin ...

Setting the Stage

Award winning Director Nina Meehan explores the process of setting the stage for a production involving young people. When I spe ...

One Flew Over The Cuckoo’s Nest: An Australian Adaptation

In this Director’s Diary, Chris McRae explains how he got permission to substitut ...

Director’s Diary: Arsenic and Old Lace

When Adelaide Director Barry Hill staged the black comedy Arsenic and Old Lace with the Tea Tree Players, ...

Chorus! take centre stage

The chorus of a musical or opera is usually in the background - but Opera Australia is giving its ensemble a chance to sh ...

In The Doghouse

Please know, today was a good day, even though I don’t know what day it is anymore. It doesn’t matter apparently. Not u ...