Dating in a Disposable World by Zalia Joi

Dating in a Disposable World by Zalia Joi
Astor Theatre, Mt Lawley June 15-17, 2010. Director: Scott Robertson

Written by Zalia Joi, this modern adaptation from the Inuit myth Skeleton Woman explores love relationships in the modern IT world, through the haunting storytelling of Skeleton Woman.
Joi plays five characters; frivolous Tiffany, the ‘I’m French and Fantastique’ coquette, Eddie the mechanic, bemoaning his marriage mistake, Amber nursing her hurt and loss, Cesar, the latin muso, looking for the right girl, and Skeleton Woman, holding the narrative thread.
The meaning of the rich and evocative language of Skeleton Woman telling the myth of the fisher hooking a skeleton from the sea, could have been abstract for some of the audience, however the philosophical intent was unmistakeable. We suffer love and loss, we desire to be needed and nurtured. How do we survive the catastrophic events that are part of our existence? By embracing the unending cycle of life and death and accepting the challenges that life offers?
Joi took up the challenge of portraying these dissimilar characters with chameleon-like ease. Through minimal costume change and with passion and intensity, she acted, sang and danced through mostly original songs written by herself, co-writer Rod Christian, David Hyams and Stardust & Heaven. The KISS classic ‘I Was Made for Loving You’ and Purcell’s ‘Dido’s Lament’ were memorable contemporary interpretations. ‘Take a little Time’ was sung with beautiful reflection, the gutsy ‘Fool’s Gold’ and ‘Desperate for Love’ had an appreciative audience wanting more.
The choreography of music and dialogue was ably supported by Musical Director Rod Christian on piano/keyboard. He created the atonal incidental music which together with lighting and sound effects augmented the mood of the dark, submarine environment. The audience was mesmerised by Skeleton Woman.
What can we expect next from this talented performer?
This duo is headed for the Toronto Fringe Festival where they have been invited to showcase this edgy piece in July for seven performances.
Glenda Prideaux
 

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