Director Cheryl Butler writes in the program for Rabbit Hole at Arts Theatre Cronulla that ‘beautiful’ may seem like the wrong word to describe this amazing play, but stresses there is beauty in the sadness of Rabbit Hole. Recipient of the 2007 Pulitzer Prize for Drama and nominated for several Tony awards, Rabbit Hole examines the disconnect that grief can cause.
It’s never too late to grab some summer lovin’ when Bankstown Theatre Company sings and dances its way into your hearts with Grease this March.
The popular musical heads to the Bryan Brown Theatre in Bankstown for 8 performances 20-20 March, 2015.
Born in a 120-seat Chicago theatre in 1971, the nostalgic '50s rock'n'roll musical went on to play all over the world before being immortalised in the 1978 film starring John Travolta and Australia’s own Olivia Newton-John.
One of Broadway’s all-time favourites comes to Sydney’s south in March when Miranda Musical Society presents Rodgers & Hammerstein’s Carousel at Sutherland Entertainment Centre.
Named in 1999 by Time magazine as the finest musical of the 20th century, Carousel has played thousands of Broadway and West End performances including famous recent revivals; has won more than 40 major awards and has spawned screen adaptations featuring such stars as Shirley Jones and Robert Goulet.
POPULAR New Zealand ’80s comic strip Footrot Flats springs from the page to the musical stage March.
Presented by Laughing Horse Productions and Roleystone Theatre (WA) and based on Murray Ball’s cartoons, the characters come to life as Wal and his trusty border collie, Dog, deal with the daily struggles of farming life and the temptations of Cheeky Hobson.
The story involves the claims of town versus country as Cheeky tries to lure Wal away from the farm and the very real possibility of the farm being sold.
Restoration Comedy a Timely Romp for Adelaide’s Stirling Players
Adelaide audiences always look forward to shows in the hands of well-known director Dave Simms because he has the happy knack of choosing plays outside the mainstream, adding his signature touch of professionalism to productions and invariably ensuring a hit.
The house full signs have gone up, but not all community theatre productions of The Phantom of the Opera have gone without a hitch. Sally Alrich-Smythe took time out of a Phantom rehearsal to peer behind the mask.
“Don’t even think about auditioning for Christine if you can’t hit the high E.” That statement uttered by a director, embodies for me, the aura surrounding Phantom.
The most successful stage musical of all time, The Phantom of the Opera, will burst onto the Riverside stage at Parramatta (NSW) in February 2015. Presented by Packemin Productions and the creative team responsible for productions of Beauty and the Beast, Annie and Hairspray in recent years.