Miss Saigon

A musical by Claude-Michel Schönberg and Alain Boublil, with lyrics by Boublil and Richard Maltby, Jr. Chatswood Musical Society. Director: Anne Veitch. Concourse Theatre, Chatswood. May 4 - 12, 2012.

Not so long ago the Chatswood Musical Society specialised in staging almost forgotten operettas with large choruses filled with middle aged and elderly men and women. Lilac Time, Waltzes From Vienna and The Naughty Marietta were amongst them. What a contrast Miss Saigon was, in the company’s first production inside the sparkling new Concourse Theatre. The leggy girls in their tight hotpants and skimpy bikini tops inside the Saigon nightclub were literally a world away from the Chatswood Musical Society of old.

Speaking in Tongues

By Andrew Bovell. Canberra Repertory Society. Director: Ross McGregor. Theatre 3, 3 Repertory Lane, Acton, Canberra. 4 – 19 May, 2012.

Nine characters’ lives twist, weave and glance off each other in this swim through the murky side of suburban behaviours. You dip your toes in the water as two couples make tentative steps towards adultery. The current gets stronger as a man pines for the fiancée who fled to Europe before the wedding and never came back. Before you know it, you’re in over your head as another woman disappears without trace.


By Matthew Blackwood Hume. King Street Theatre, Newtown. May 1 – 13, 2012.

A new Australian play, produced on the smell of an oily rag, and presented as a profit share, rates for me as way preferable to some very ordinary new plays I’ve seen with big bucks and big names thrown at them in mainstream seasons, where I tend to resent my share of any taxpayer subsidy. There’s honest raw energy, as everyone gives generously of themselves for little or no remuneration, in ‘Off-OfF-Broadway’ type venues, to get new work up, even if it is somewhat undercooked.

Keep Smiling! The Housewife’s Guide

The Colour Blind Project. Bondi Pavillion. May 1 – 19, 2012

It’s the 1960’s, the Vietnam War is upon us and any housewife worth her weight looks perfect, sounds perfect and cooks perfectly!

Keep Smiling! The Housewife’s Guide is a kitsch, melodramatic piece, showcasing a snapshot into the life and times of six middle class women in Australia. Daniel Alleck’s set is fantastic and absolutely ideal for the mood, the period and the pavilion space.

Escape to Peligro Island

Windmill Theatre. Arts Centre Melbourne. Preview: May 3, 2012. Performances on May at 11 am and 1.30pm.

Although I’ve taken many a grandchild to the pictures, I don’t recall taking them to live theatre. Unfortunately I didn’t have one available to come when I attended a school preview of Escape to Peligro Island. I wish I had.

The Liar’s Bible

By Fiona Samuel. Sydney Independent Theatre Company, 8A/32-60 Alice Street, Newtown. May 1 – 19, 2012.

It’s easy to see why New Zealand playwright Fiona Samuel has won awards. In this play, she has created characters that are carefully and skilfully revealed in a multiplicity of short scenes that challenge director, designers, cast and audience alike. Yet they come together, in final moments that link and expose, but don’t make lengthy explanations. Samuel is a clever writer who shows genuine respect for the ability of her audience to make connections.

The Girls in Grey

By Carolyn Bock and Helen Hopkins. Presented by The Shift Theatre in association with Theatre Works. Director: Karen Martin. Lighting Design: Nick Merrylees. Sound Design: Nick Van Cuylenberg. Set Design: Alexander Hiller. Costume Design: Lyn Wilson. Theatre Works. April 25 to May 13, 2012.

The Girls in Grey is an amalgam of experiences of Australian Army Nurses serving in World War One. Much of the text comes from diary entries and letters. It is a work that ‘tells it like it really was’ through the sensibilities of the women of the era.

Looking Through A Glass Onion

John Waters with Stewart D’Arietta. Chapel Off Chapel. May 2nd – May 6th, 2012. Sydney – Various venues from May 11th. Other States late May.

They come in all shapes, sizes and ages. Some are in their teens and even their parents weren’t born when The Beatles broke up. Others are in their twilight years, baby boomers just like John Lennon himself, who would have been 72 this year. They fill the comfortable lounge and coffee bar area of Chapel Off Chapel and stand three deep at the bar sipping champagne or dipping their biscuits into flat whites. There’s a buzz, an excitement – like that of any other opening night. For this is no tribute show at the local RSL.

Kiss of the Spider Woman

By John Kander, Fred Ebb and Terence McNally. Hills Musical Company. Stirling Community Theatre. April 27 to May 12, 2012.

You don’t want to be kissed by the spider woman, but you do want to see the Hills’ Kiss of the Spider Woman, my oath.

The novel by Argentina’s Manuel Puig was published in 1976. He adapted the story to the stage in 1983 and two years later there was a film. The musical - music/lyrics by John Kander and Fred Ebb (Cabaret and Chicago) and book by Terrence McNally won seven 1993 Tony Awards - for Best Musical, Best Score, Best Book, Best Costume Design, and for each of the three lead actors.


By Bryony Lavery. Director: Tanya Gerstle. Red Stitch Actors Theatre. April 27 - May 26, 2012.

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