An Almost Perfect Thing

An Almost Perfect Thing by Nicole Moeller is a beautifully constructed play which tells of Chloe, recently free after being held captive for seven years, but who refuses to share details or give up her kidnapper.

Chloe, her captor Matthew and journalist Greg tell their stories and interact, as they move through different timelines, but always with a wonderful cohesion of idea and meaning, as each searches desperately for love and connection.

Outstanding performances from all three of the actors. Daisy Coyle is stunning as the extremely complex Chloe, who struggles to control a succession of situations. Daisy, who turns 21 during the run, looks appropriate and embodies Chloe beautifully at both 12 and 18 years, and the audience’s desperation to learn more about Chloe (and her story) hooks us to the story.

Nick Maclaine plays abductor Mathew with wonderful drive and a clear belief that Matthew is doing the right thing - which makes him strangely sympathetic. A fascinating, if disturbing portrayal.

Andrew Hale creates a wonderfully nuanced Greg, who has as much need for acceptance and validation as the other characters. A beautifully drawn embodiment of a character.

Set and costume designer Tyler Hill’s costumes are pointedly theatrical with a united theme between the characters. The set is interesting and eclectic, deliberately ‘arty’ and potentially an insight into Chloe’s mind.

Lighting Designer Rhiannon Peterson and Sound Designer Christian Peterson made strong choices, which complimented the multiple locations required in the text.
This is a very well crafted production that is gripping, intense and beautifully performed. I highly recommend trying to get your hands on a ticket.

Kimberley Shaw

Images: L to R: Nick Maclaine (Mathew) and Daisy Coyle (Chloe), & L to R: Nick Maclaine (Mathew), Daisy Coyle (Chloe) and Andrew Hale (Greg). Credit: Pixel Poetry