Reviews

George Orwell’s Animal Farm

By Van Badham. Conundrum Theatre Company. Directed by Claire Glenn. The Garage International @ Adelaide Town Hall, Adelaide. 18 February – 22 February 2026

With their home in Singapore, Conundrum Theatre’s vibrant production of George Orwell’s Animal Farm, part of the Adelaide Festival Fringe, was full of energy, heart and creativity. Adapted by Van Badham and directed and designed by Ruby Award winners Claire Glenn and Anthony Kelly, this 90-minute production, presented at The Garage International @ Adelaide Town Hall, provided the audience with the essence of Orwell’s political fable but propelled into the modern age with a sense of playfulness and potency.

Tonsils + Tweezers

By Will O’Mahony. Sharehouse Production Company. Old Fitz Theatre, Woolloomooloo NSW. Feb 17 – 27, 2026

Have you ever wanted to kill someone?

This unsettling question sets the tone for a soul-searching analysis that leaves audiences questioning their own values and the nature of human darkness. Tonsils + Tweezers, by playwright Will O’Mahony, blends sharp humour with emotional depth in a surreal black-comedy about friendship and the lingering impact of the past.

An Evening with Yotam Ottolenghi: Crowd Pleaser

Concert Hall, Queensland Performing Arts Centre (QPAC), Brisbane. 17 February 2026

FANE Australia’s slogan – ‘Live. On Stage. Unforgettable.’ – sums up the evening they presented with Yotam Ottolenghi at QPAC’s Concert Hall. This was a great example of celebrity audience engagement, the popular type of ‘stage show’ that this month also sees similar tours by other British-based celebrities such as Kevin McCloud and Sir Tony Robinson – perhaps our summer is their winter escape.

The Dress

Author/Producer: Alaine Beek. Co-writer/Historical advisor/Costume design & creation: Harry Quinert. Essence Theatre Productions. Director: Nigel Sutton. Werribee Park Mansion, Melbourne. February 15, 2026.

The Dress is a compelling 90-minute two-hander that remains something of a hidden gem in Melbourne’s west.

Holiday Snap

By Michael Pertwee and John Chapman. Cairns Little Theatre. Directed by Frank Joel. February 20th to 28th, 2026.

The setting for this enjoyable, fast-paced comedy is a time-share accommodation in sunny Portugal. However, things go dramatically wrong from the very start as the audience are subjected to a blitzkrieg of mistaken identities that become more complex as the play unravels.

Cyrano de Bergerac

By Martin Crimp, adapted from the play by Edmond Rostand. Artefact Theatre Co, Matthew Cox, Mark Yeates & Sarah Cuthbert. At fortyfivedownstairs. 12 February – 1 March 2026

What is the enduring appeal of this 1897 story so that it is told and retold?  A brilliant man – a wit, brimming with confidence, a poet eloquent in voice and writing, a fighter, a swordsman, hated by the jealous, admired by his friends – but inside he feels himself to be too ridiculously ugly to declare his love to the woman he adores.  And so, he makes love vicariously: on behalf of his rival, Christian.   it hurts but he is too much in love with Roxanne and with words to stop.  Is this a secret many men nurture in their hearts?

Robot Song

Written, directed, designed and produced by Jolyon James. Previously developed at Arena. Presented by Theatre Works and NCM. Theatre Works. 12 – 21 February 2026 – with some 11 am performances

An eleven-year-old girl, Juniper May (Adeline Hunter) receives a ‘petition’ that would devastate anyone.  It’s signed by her whole school.  It tells her that she looks like a robot and sounds like a robot.  And her classmates wish she had never been born.  Apart from the hurt and the nastiness, Juniper doesn’t get it.  What’s wrong with robots?  She loves robots.  Luckily for Juniper, she has wonderful (and well-resourced) parents…

Saints

By Marcel Dorney. Created by Elbow Room. La Mama Courthouse. 6 – 27 February 2026

Elbow Room’s Saints is hugely dense and ambitious.  Set in a fractious England in 1654, a time when the monarchy has fallen, and the country is in violent chaos.  People yearn for certainty but reject the old order.  Who will be on the ‘right side of History?’  England is or was supposedly ruled by the failed ‘Parliament of Saints’, and the play depicts contending forces and communities, now largely subsumed by History: naïve anti-authoritarian but self-sufficient groups and sects that flower until swept away.  Playwright

F. Scott Fitzgerald’s The Great Gatsby

Adapted by Daniel Evans and Nelle Lee. Directed by Daniel Evans and Nick Skubij. Presented by Queensland Theatre Company and Shake & Stir Theatre Co. Playhouse, QPAC, 12 February – 8 March 2026

Powerfully, passionately, and playfully, the first main stage production of the Brisbane calendar year has its early audiences jumping to their feet and rapturously shouting, “Bravo.” And in the words of the imaginary Shakespeare in my head, “This surely hath other producers shooketh.” The theatrical bar is now astronomically high for anyone seeking to be greater than Gatsby. 

The Normal Heart

By Larry Kramer. Sydney Theatre Company. Drama Theatre, Sydney Opera House. Feb 9 – Mar 14, 2026

Larry Kramer’s angry, activist play premiered off-Broadway in 1985 just as the first test for AIDS was created.  Kramer’s targets were slowly responding to an epidemic that had been killing gay men for four years: the media, New York City and the US Government were all ignoring it, urgent medical funding and research was denied, even families turned their backs; the “gay plaque” was left to spread and do its worst.

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