Brief Encounter

Based on the Noël Coward play, Still Life, Brief Encounter is an adaptation of the film of the same name. This adaptation is by Emma Rice, who enhances the story with songs by Noël Coward, set to music by Stu Baker.

Jane Sherwood has cast this show very well, her excellent choices giving lovely chemistry and very commendable performances.

Central characters Laura (Maree Anderson) and Alec (Glenn Scott) are a young couple having a very intense and loving affair. The actors are a real-life engaged couple, whose affection is tangible and both deliver passionate performances with depth.

Staff at the local train station, a frequent meeting point, quickly become audience favourites with some gorgeous characterisation. Ann Speicher and Hadrian Fuller form an outstanding comic duo, nicely supported by sweet ingenue Simonne Mathews, and Zack Inglis who joined the show late in the rehearsal process and did a fine job.

A strong ensemble offered excellent support. I particularly admired the versatility of Liz Pemberton and Karin Staflund, while Craig Edwards delivered a sympathetic performance as Laura’s husband Fred. Very focused 12 year old, Lakeesha Motley and her very cute little brother Charlie, were impressive as Laura’s children.

Fran Gordon’s costumes were a highlight, nicely evoking the 1930s (the usherette costumes at the start setting the tone for the production), while Jane Sherwood’s set design was simple, clean, effective and allowed action to flow smoothly.

There are some problems with this adaptation. Though musical director Bree Vreedenberg has clearly worked hard on the songs, and they provide a nice diversion, during what would otherwise be a set change, they don’t actually further the plot and I’m not sure that the execution quite matches the rest of the production. The judicious use of film footage was a good choice and definitely added atmosphere.

Brief Encounter is on the whole, a good example of a Noël Coward play and is well worth seeing. A short show which flows well and has broad appeal.

Kimberley Shaw