Reviews

La Boheme

Composed by Giacomo Puccini. Libretto by Luigi Illica and Giuseppe Giacosa. Presented by Opera Queensland, West Australian Opera and QPAC. Lyric Theatre, Brisbane. 4-13 September 2025

As part of the Brisbane Festival, Puccini’s beloved opera La Bohème graced the Lyric Theatre last night, drawing an almost full house of attentive, elegantly-attired Queensland audiences. This production, set in 1920s Paris, captures both the allure of the music and the poignancy of its love-torn tragedy incorporating a revolving stage, a symbolic glasshouse, atmospheric lighting, and gently falling snow, the staging immediately evoking a world where human relationships unfold amidst turbulence, passion, and uncertainty.

Community Choir: The Musical

By Emma Dean and Cheep Trill, Brisbane Festival, Thomas Dixon Centre, 3–6 September 2025

What a perfect and uplifting way to start my Brisbane Festival adventure this week. Community Choir: The Musical is a homegrown musical by Brisbane choir leader, Emma Dean, and her community singing group Cheep Trill. The performance started with a beautiful Acknowledgement of Country song by Michelle Roberts. Simply stunning – and setting the scene for the fun show with an important message to follow. That is, this choir comes together to banish society’s negativity (and Donald Trump!) and find a space where people can be themselves and find their community.

Bad Nature

Presented by Australasian Dance Collective (Aus), Club Guy & Roni (NL), Studio Boris Acket (NL) and HIIIT (NL). Part of the Brisbane Festival. Brisbane Powerhouse. 3-7 September, 2025

Contemporary dance has steadily evolved over the years through alternative techniques that challenged the ideals of classical ballet. Where ballet reached to the heavens in search of transcendence, pioneers such as Martha Graham, Merce Cunningham, and José Limón grounded movement, exploring weight, gravity, and earthbound expression. This influence is unmistakable in Bad Nature: bodies twist, writhe, and unfold in sculptural forms, a stark contrast to the lofty elegance of tradition.

Liam Cooper – King of the Keys

The Palms, Crown, Melbourne, September 5, 2025 followed by dates in Sydney and NZ.

Australia’s own King of the Keys, Liam Cooper, made a triumphant Melbourne debut on September 5, 2025, at The Palms at Crown, Melbourne. Cooper delivered a high-octane, heartfelt, and often hilarious musical celebration of history’s greatest male piano-playing performers.

Hibernation

By Finegan Kruckemeyer. WAAPA’s Second Year Acting. Directed by Teresa Jakovich. The Enright Studio, WAAPA, Edith Cowan University, Mt Lawley, WA. Sep 4-11, 2025

Performed by WAAPA’s Second Year Acting Students, with support from WAAPA’s Production and Design Students, Hibernation is set in 2040, in a rapidly dying world. A policy has been developed (based on research for Space Travel) to get all humans on earth to hibernate for a year, to allow the planet to rejuvenate and recover.

The Lark

By Daniel Keene. Presented by Arts Centre Melbourne and Hey Dowling. Directed by Matt Scholten. Fairfax Studio, Arts Centre Melbourne, 100 St Kilda Rd, Southbank. 3 - 28 September 2025.

Daniel Keene has penned an extraordinarily poignant story. He employs poetic and evocative language that also sounds naturalistic and authentic. Noni Hazlehurst portrays Rose Grey, a woman who seems to be occupying a spectral and somewhat liminal space, which was once a thriving pub, called The Lark. Here she reminisces on the time she and her father spent in this workplace which was also her home and an inviting venue for the local community to simply come together.

How To Plot a Hit in Two Days

By Melanie Tait. Ensemble Theatre, Sydney. Directed by Lee Lewis. 29 August – 11 October, 2025

When Australia’s sweetheart Molly Jones, played by Anne Tenney, died in June 1985 over 14 episodes of the fifth season of ‘A Country Practice’, the country held its breath. One sixth of the population, 2.2 million people, were watching her death, between ad breaks, on this twice-a-week serial. It was powerful stuff. 

Romeo & Juliet

By William Shakespeare. Bell Shakespeare. Directed by Peter Evans. The Playhouse, Canberra. 29 August to 7 September, 2025, and touring nationally until 7 December.

The Bard’s famous romantic tragedy is exactly 400 years old today, give or take a year, and has been staged countless times in many languages — a ubiquity that may partly emerge from the play’s capture of the quintessence of many of our most powerful human feelings.

Tarzan – The Stage Musical

Music and lyrics by Phil Collins. Book by David Henry Hwang. Produced by James Terry Collective. Directed by Alister Smith. National Theatre, St Kilda. Opening night: August 30th, 2025

Let’s admit it, Tarzan is part of our psyche. I remember being openmouthed at Johhny Weissmuller swinging through the jungle on a vine when I took my little brother to the Saturday Morning Pictures (an institution in Britain in the early 1950s). But I never saw the Disney feature and I certainly never envisioned Tarzan as a Musical, yet here I am, raving about a spectacular opening night last Saturday.

Dark Impro

Protea Impro (various artists). The Peacock Theatre, Hobart. August 29th to September 6th, 2025

Whilst this is the inaugural Dark Impro festival, Protea has existed as a loose collective since 2020, driven principally by artistic directors Rowan Harris and Matt Wilson. Protea now runs regular Theatresports, classes and workshops as well producing long form works, working collaboratively with interstate and overseas artists.

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