Reviews

Crazy for You

Music by George Gershwin. Music by Ira Gershwin. Book by Ken Ludwig. Babirra Music Theatre (Vic). Director: Tyler Hess. Musical Director: Danny Forward. Choreographer: Craig Wiltshire. October 10 – 18, 2014

Though the slight plot of Crazy for You is little more than an excuse to showcase many of the Gershwins’ best known songs, no one was complaining.

This was a magical night at the theatre.

The Phantom of the Opera

Music: Andrew Lloyd Webber. Lyrics: Charles Hart. Book: Richard Stilgoe & Andrew Lloyd Webber. Directed by Mark Barford. ICW. Regal Theatre, Subiaco WA. 2-11 October, 2014

ICW's final production for 2014, was like its stablemates, a beautifully realised production with very high production values, expertly sung and lovely to watch.

Mark Barford led a huge cast, with 60 in the ensemble to create an impressive fully fleshed production. A twenty-six piece orchestra under the baton of musical-director Ian Westrip provided a beautiful, complete sound with what appeared to be faultless playing.

Guilty Pleasures

Written and directed by Josh Robson. Music by Robert Tripolino. Lyrics by Hugo Chiarella. Chapel off Chapel (Vic). 9th-12th October, 2014

What do you do in your spare time when you are doing eight performances a week in Les Misérables? Well, if you are the multi-talented Josh Robson you form your own production company  - Blue Saint Productions – and you create a marvellous little one woman show with original songs, an excellent band (led by the composer himself) and a classy performance from Angelique Cassimatis.

The Guys

By Anne Nelson. Directed by Christine Grant. The Bakery, 1812 Theatre (VIC). 8th Oct-1st Nov, 2014.

We all remember the horror of seeing the planes slam into NYC’s Twin Towers on Sept 11th 2001, but we can’t even imagine the trauma of being on the streets of that city when it happened.

Jurassic! That is One Big Pile of Musical

Book and lyrics: Leigh Scott. Music & Additional Lyrics: Evan Kerr. Lazy Suzann, as part of Sydney Fringe 2014, in association with the New Theatre. September 22 - 27, 2014

Don’t remember the tap-dancing dinosaurs in Jurassic Park?

 

Everyman and the Pole Dancers

By Lech Mackiewicz. Final episode of an impossible theatrical soap opera – in four quarters. Auto Da Fe Theatre / Melbourne Fringe. The Mechanics Institute (Vic). Director – Lech Mackiewicz. October 2 – 11, 2014.

Everyman and the Pole Dancers is a mischievous destabilizing Absurdist romp presented by a wonderful diverse and intriguing cast who are obviously having fun with the anarchistic text by Lech Mackiewicz. 

The actors perform the serious material with unwavering commitment.  Mackiewicz as director must have a sense of humor that verges on the ridiculous to so successfully work with this gloriously eclectic troupe.  The result is a bit of a hologram, bemusing yet satisfying.  

Collaborators

The Stirling Players. Directed by Megan Dansie. Written by John Hodge. Stirling Community Theatre. 3-18 October 2014.

A rich and fascinating experience indeed, Collaborators represented quite an artistic gamble for the Stirling Players, but director Megan Dansie has once again lived up to her reputation of staging high-quality theatre, gracing Adelaide with a national premiere production to be proud of.

The Sound Of Waves

By Gareth Ellis. Directed by Naomi Edwards. Fortyfivedownstairs, Melbourne. October 3-12th 2014

In The Sound of Waves we meet Shelly a girl who, finding herself in a class taught by the evil Mrs Black, begins to retreat more and more into a watery world where she is turning into a fish.  This allegorical tale has for its inspiration the performer’s own experience of losing her hearing, and then eventually receiving a Cochlear implant and coming back into the hearing world again.

Miss Julie & After Miss Julie

By August Strindberg and Patrick Marber. Directed and Designed by Geoff Brittain. University of Adelaide Theatre Guild. Little Theatre. 4-17 October, 2014.

How does one stage a play about trapped, unhappy, combative individuals without leaving one's audience feeling equally trapped and unhappy and emerging with the feeling that they've just survived a war with relatively little to show for the victory?

Tentación…taste the forbidden fruit.

Conceived & performed by Cherie Boogart. The Butterfly Club, Melbourne. 5 October 2014

 

To keep up with the latest news and reviews at Stage Whispers, click here to like us on Facebook, or follow us on Twitter.