The Best Little Whorehouse in Texas

By Larry L. King and Peter Masterson and Carol Hall. Murray Music and Drama Club. Pinjarra Civic Centre. Nov 14 - 28, 2014

Murray Music and Drama Club's production of The Best Little Whorehouse in Texas, is a wonderful looking show that is receiving a very positive audience response.

Director Trevor Delaporte, directing his first musical, is supported by Carole Dhu as musical director and very young choreographer, Ellie Bickford. Music is provided by a single piano, capably played by Kenn Ellis.

There are some notable performances in this cast of over forty.


The House of Yes

By Wendy MacLeod. Little Ones Theatre in Association with Theatreworks, at Theatreworks, Acland Street, St Kilda (VIC). 27 November – 13 December 2014

A hurricane rages outside the Washington DC home of the wealthy Pascal family: widowed Mrs Pascal, daughter ‘Jackie-O’ – dangerous when off her medication – and younger son, college drop-out Anthony.  They await the arrival of Marty, Jackie-O’s twin.  Marty is coming home from New York and he’s bringing ‘a friend’.  The friend turns out to be Lesley, a waitress and the only ‘normal’ character.  She and Marty are engaged.  Lesley’s intrusion on this cossetted, insulated family is a catalyst for ‘

Anything Goes

Music and lyrics by Cole Porter. Wanneroo Repertory Club. The Limelight Theatre, Wanneroo WA. Nov 27 - Dec 13, 2014

Wanneroo Repertory Club closed the year with a large scale production of Cole Porter's Anything Goes. It was directed and choreographed by Terry Pirlo with musical direction by Michelle Claire.

A simple, single set with multiple levels was well employed, while costuming was a pleasure to look at, especially with the ladies' dresses.


By David Williamson. Daniel Sparrow Productions. Theatre Royal, Sydney. Director: Lee Lewis. 29 November – 21 December 2014

Last year’s hit MTC production of David Williamson’s revue-style portrait of Rupert Murdoch here returns for a short Sydney season on its way to London’s West End. It has the same vibrantly theatrical direction by Lee Lewis and the same simple but effective design by Stephen Curtis. The cast has been reinforced, most notably with James Cromwell, a genuine American stage, television and movie star.

Dreams from the Second Floor

Director: Firenza Guidi. The National Institute of Circus Arts. 26 November – 6 December 2014

The graduating students of NICA chose the raw material of a gantry cityscape and dreams to create a world of episodic movement and physical daring. A wide variety of circus skills were demonstrated with an emphasis on aerial work, contortion, Roue Cyr and gymnastics. The troupe worked well together and on occasion merged into a single coherent performance. The individual and duo performers displayed shining skills and compelling action. Performers’ technical skills were secure and the riggers did a quiet, competent job.


Music: Tom Snow. Lyrics: Dean Pitchford. Adaptation: Dean Pitchford & Walter Bobbie. Director: Tim O’Connor. Choreographer: Dan Venz. Vocal Director: Sophie Woodward. Harvest Rain. Powerhouse, Brisbane. 27-30 Nov 2014

Harvest Rain’s second and third year interns created a storm of irresistible dancing heat when they burned-the-floor at Powerhouse with Footloose. Dan Venz’s moves and the charismatic performance of Ethan Jones as Ren were the big plusses of Tim O’Connor’s zippy production. Film-to-stage adaptations are notorious for never being as good as the original and this by-the-numbers script is no exception. The thing that keeps it buoyant is its retro 80s pop score.

Blithe Spirit

By Noël Coward. Canberra Repertory. Directed by Kate Blackhurst. Theatre 3, Canberra, 21 November – 6 December 2014.

The inaugural season, in 1941 London, of Noël Coward’s tale (set in 1941) of the catastrophic results of a seance was so successful in raising war-weary spirits—so to speak—that it ran for years.  Surely Canberra Rep’s present production would have been equally successful, hitting, as it does, all the right notes.  Deadpan lines are delivered to devastating humorous effect.

Still Point Turning

FORM Dance Projects. Lennox Theatre, Riverside Theatres Parramatta. November 27 – 29, 2014.

Choreographer and performer Linda Luke’s “dance poem” was initially inspired by TS Eliot’s poem Burnt Norton, that describes the changes brought about by the cyclical effects of time and the seasons in the garden of a house in the Cotswolds. It takes its title from the line “At the still point of the turning world”.

Freud’s Last Session

By Mark St Germain. Director: Adam Cook. Strange Duck Productions. Cremorne Theatre, QPAC, Brisbane. 26 Nov – 7 Dec 2014

When one of the world’s most infamous atheists meets a Christianity convert the scene is set for a powerful meeting of the minds. When the atheist is the father of psychoanalysis Sigmund Freud and the Christian convert is Oxford Professor C.J. Lewis then the notches on the intellectual debate rise dramatically.

Kiss Me, Kate

Music and lyrics by Cole Porter. Book: Samuel and Bella Spewack. Darlington Theatre Players. Marloo Theatre, Greenmount WA. 21 November - 13 December, 2014

Darlington Theatre Players have chosen Kiss Me, Kate as the ultimate production in their year of Shakespeare inspired productions. a lovely bright, choice to close the season, it is directed by Neroli Burton, musically directed by (her son-in-law) Justin Freind and choreographed by Jessica Russell.

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