Cats

For anyone not familiar with this massive international hit, Cats is an unusual musical. Based on a series of children’s poems by T.S Eliot, there is no clear story line, so it is difficult to get involved with the characters. However, Nova made a strong case for this unique show.

The set, by Chris White, was impressive. Not the usual rubbish dump, it looked more like a graveyard with columns and marble angels, with some steep platforms at the back to give extra levels. This was enhanced by effective lighting from Michael Zagarn. The costuming and makeup, designed by Anne Dewar, were amazing.

The opening prologue had short solo lines from various cast members and each was lit during their short period of fame. I liked this, but it stopped and we were left to try and work out who was singing the next line. Some of the singers couldn’t be heard and I suspect this was more because their voices weren’t strong enough to be picked up, rather than a fault with the sound.

This is a big dance show and the dancing was impressive, though on a relatively small stage it must have been difficult. I was amazed at the number of very good young male dancers and all the solo dancers were strong, though I’d have preferred more reaction from other cast members to the dancing. I was also particularly liked the chorus singing, some of which was very high.

The curtain remained open during the interval with Old Deuteronomy sitting high up the back while other cats moved among the audience in the foyer and auditorium. All maintained their character. It was a nice touch, though I’m sure the cast would have loved a break, particularly Deuteronomy, who must have been sweating in his heavy suit.

John Leahy did well in this role with his strong voice, though he struggled a bit with the high tessitura. Lauren Page as Grizabella gave an excellent rendition of “Memory”, the only song that is well-known by the general public.

Doing a lot of the heavy lifting were Christopher Howe and Ju-Han Soon as Munkustrap and Rum Tum Tugger. Both sang well and were excellent dancers. Brendan O’Sullivan also shone in his short innings as Mr Mistoffelees. Others to impress were William Kim, a confident Skimbleshanks, the Railway Cat, and Carol Whitfield as Jellylorum.

The band played well and generally allowed the singers to be heard, but during extended dance sequences cranking up the volume would have enhanced the experience.

It was an enjoyable night at the theatre.

Graham Ford

Photographer: Gavin D Andrew