Reviews

‘Allo ‘Allo

By Jeremy Lloyd. Esperance Theatre Guild. Directed by Mak Bailye. The Bijou Theatre, Esperance. April 12-27, 2024

I recently had the opportunity to travel a little outside my usual reviewing circuit, to see Esperance Theatre Guild’s warm, well-presented production of ‘Allo ‘Allo, well known from the classic TV series.

The theatre venue is an experience itself. Beautifully appointed inside, with up-to-date facilities, The Bijou Theatre, is the oldest purpose-built theatre still operating in Western Australia and the third oldest nationally. It is picturesque and attractive and filled with friendly and attentive front of house staff and an eager audience.

Broadway Bingo

Presented and created by Outside the Jukebox. Underground Theatre, Brisbane Powerhouse. 19-21 April, 2024

After having viewed Outside the Jukebox's previous production Merry Mixology, a set of comedy sketches and songs intertwined in a cabaret setting, I highly anticipated seeing their next production, this time a completely different concept: a selection of Broadway songs interspersed with a bingo game show, including minimal audience participation. Audience members are able to view bingo cards on their phones or with a flyer and mark off any specific traits they see in a performance shouting out Bingo! when they have a full house.

Mary Stuart

By Kate Mulvany, after Friedrich Schiller. Director Heather McGreal. Henry Lawson Theatre. 19 – 27 April, 2024

Friedrich Schiller’s play Mary Stuart was first performed in 1800. Set in 1586, it tells of a plot to assassinate Elizabeth I of England instigated by her cousin Mary Stuart, deposed Queen of Scotland, who claimed the right to the English throne.

Both were strong women who had the following of loyal supporters, but Elizabeth, as the crowned Queen, had the upper hand, and kept Mary in prison in England for 19 years. The plot, carried out by Mary’s Catholic followers, was unsuccessful and led, eventually to Mary’s execution.

A Case for the Existence of God

By Samuel D. Hunter. Red Stitch Actors’ Theatre. 13 April – 12 May 2024

Two men sit across an office desk.  They could not be more different.  We think.  One is Keith (Kevin Hofbauer), a mortgage broker given to financial jargon and acronyms; he’s apparently confident, very definite, wears preppy clothes, has a neat beard.  The other man is Ryan (Darcy Kent): reticent, apologetic, scruffy hair, faded tartan shirt, scuffed Redwing boots.  Ryan wants a loan to buy some land – twelve acres his family owned long ago – for himself and his fifteen-month-old daughter Krista.  We want Ryan to get that land, but w

The Exact Dimensions of Hell

By Bridget Mackey. Presented by Mackey, Darling & Collaborators. Directed by Alice Darling. fortyfivedownstairs, 45 Flinders Lane, Melbourne. 18 – 28 April 2024.

Bridget Mackey has penned a very unusual story in that she prioritises the perspective and fantasies of a teenage girl and fully indulges them. Bored by life in mundane Australian suburbs, the fourteen-year-old girl (Matilda Gibbs) has strong fantasies about becoming a witch. While online she finds an older man (Daniel Schlusser) who claims he can teach her how to practice witchcraft. 

Little Women

Book by Allan Key. Music by Jason Howland. Lyrics by Mindi Dickstein. Based on the novel by Louisa May Alcott. Elder Conservatorium Music Theatre. Scott Theatre – University of Adelaide. 18th – 21st April, 2024

Louisa May Alcott’s novel Little Women was originally published in 1868. The coming-of-age story of the March sisters follows their transition from childhood to womanhood. Set against the backdrop of the American Civil War, the musical adaptation follows our headstrong protagonist Jo March and her passion for storytelling, only rivalled by her love and devotion to her family.

Effie in Upyourselfness

Melbourne International Comedy Festival. Arts Centre Melbourne. April 12 – 21, 2024

 

Wild Dogs Under my Skirt

By Tusiata Avia. Director Anapela Polata’ivao. Riverside Theatre Parramatta. 18-20 April, 2024

I am so glad I had the chance see this production! Not just because it is feisty and funny; nor because its messages “hit us hardhard” like “Aunty Fale’ and her broomstick in the poem “My Dog”! But because I knew that before I could start writing about the performance itself, I had to find out more about Tusiata Avia and her work!

And that has been very moving … stirring … and disturbing … just like the production itself.

Into The Shimmering World

By Angus Cerini. Sydney Theatre Company. Wharf 1. April 2 – May 19, 2024

This is the last of Angus Cerini’s loose trilogy of dark Gothic plays about violent and insecure men or defiant women out on the land grappling with Australian nature.

Farmer Ray is near cracking with anxieties as the drought digs in. The rains – and elation – do finally arrive but, as is the Australian way, they bring a catastrophe of flooding. His farm is destitute, the cattle swallowed by mud or shot dead, and Ray’s anguish is seeping through his stoic, blokey reticence.  

21 Hearts

By Jenny Davis. Theatre 180. Directed by Stuart Halusz. Como Theatre, WA. April 11-21, 2024

21 Hearts, subtitled Vivian Bullwinkel and the Nurses of the Vyner Brooke, is advertised as “A compelling true story of friendship and courage.” The latest in a series of plays from Theatre 180, that combine live theatre with film and projected images in a cinema setting. 

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