Constellations 

British playwright Nick Payne's internationally successful play is in the spotlight here in Queensland with an original production eloquently introduced in the programme and directed by Kat Henry.

The work has unearthed colourful bouts of intrigue amongst various theatrical circles, particularly major cities like New York and London, with its engaging play on romance and science, in particular the elements of chronological time and how the things we do in life could dramatically change all sorts of consequences if they were done differently, even just a little. The unique and symbolic set by designer Anthony Spinaze, including its sporadic use of lighting, paints the picture superbly: brain neurons, constellations of space et al. This is a play, after all, with underlying messages.

Roland (Lucas Stibbard), a bee-keeper, meets Marianne (Jessica Tovey), coincidentally a physics student, at a barbecue and the ensuing relationship takes us on a complicated journey through parallel universes where various elements of their encounters are interpreted in different ways and with different outcomes. This gives the opportunity for the actors to play the repetitive dialogue vignettes in direct contrast, sometimes in juxtaposition, and opens up numerous possibilities for a mixture of emotional exposition.

But, ah, there's the rub: I felt there could have been more use of this contrast in this production by using more playful forms of interpretation and meaning through emphasis, undulation and tempo. The play could also be a vehicle for more humour. The famous song 'What Is This Thing Called Love' comes to mind.

There were good performances from the actors, particularly the use of the English accent, though at times delivery felt more melodramatic than was necessary. But generally this is a commendable presentation from the QT team.

For those who like philosophic, questioning interpretation and analysis, a more contemporary style of presentation, this is a satisfying medium. However, though being a clever, somewhat cerebral and thought-provoking opus, Constellations, with this production, veered on aiming more in the direction of 'educating' rather than entertaining its audience. 

Every word is an opportunity.

Brian Adamson