Cranford

I must confess to being a closet fan of Cranford, both the novel by Mrs Gaskell and the BBC television series, so I was looking forward to Garrick Theatre's production. I was not disappointed, this production of the play adapted by Martyn Coleman, is absolutely lovely.

Directing matriarch Ailsa Travers has long reigned as the Queen of Costume Drama, and having reached ninety years of age, says that this production will be her last as a director. If that should prove true, it is a fitting directorial swan song - a beautifully produced period drama, nicely told, with some excellent performances.

Kerry Goode is more than good in the central role of Miss Matty Jenkins. Quietly owning the stage, she is believably the centre of village life, delivering an excellent performance.

Miss Matty's maid, Martha, is gorgeously portrayed by relative newcomer, Ellie Bawdon, in a very dynamic performance, showing a fascinating character journey.

Good support throughout, especially from a comedic Veronica Fourie as the prim spinster Miss Pole, Dale James belying a short rehearsal period as gentle Mrs Forrester and the delightful Diana Graham as Miss Betty Barker. Maryann Burke was sweet as Miss Mary, Graham Miles struck exactly the right note as country doctor Mr Hoggins, while the audience enjoyed Sue Vincent as the pompous, unpleasant Mrs Jamieson.

This show has two excellent community theatre debuts. Heidi Davies was exceptionally impressive as down-to-earth Scot, Lady Glenmire and Ethan Acott (hailing from a renowned theatrical heritage) was charming as the awkward Jem.

Costumes, under the director's care, appeared appropriate for village life in the 1830s and seemed to have been carefully chosen for each character. The cosy set, nicely designed by Keith Abbot, was furnished and finished with care.

Cranfordis a really sweet production, providing gentle, genteel entertainment for discerning ladies and gentlemen.

Kimberley Shaw