Reviews

The Pride

By Alexi Kaye Campbell/ Directed by Shane Bosher. Darlinghurst Theatre, Sydney. Sydney Gay and Lesbian Mardi Gras. February 5 – March 6, 2016

As the lights come up on a house in 1958 London, we see Philip and Oliver in the doorway. They are meeting for the first time – Oliver works with Philip’s wife Sylvia – and there’s a sense of excitement. But it’s tense: the feelings they’re experiencing are forbidden and Philip, at least, must hide them. It’s all clear as they stand awkwardly in the doorway: a powerful first moment in this wonderful production of an award winning play.

Lifeline

By Nat Texler. Directed by Erik Strauts. Adelaide Fringe. The Wheatsheaf Hotel, Thebarton. Feburary 10-14, 2016

Driven to despair by the end of a long term relationship, Guy (James Whitrow) is about to commit suicide when he is interrupted by a phone call from a telemarketer (Wesley Van Gelderen). Over the course of their conversation it emerges that the voice on the other end of the line knows many intimate details of Guy’s personal life, and has concocted a sinister plan to manipulate this desperate and broken man, pushing him to the limits of his moral capability.

West Side Story

Music: Leonard Bernstein. Lyrics: Stephen Sondheim. Book: Arthur Laurents. Packemin Productions. Riverside Theatre, Parramatta. February 5 – 20, 2016.

Packemin's production of the Leonard Bernstein, Stephen Sondheim and Arthur Laurents classic West Side Story was a strong traditional portrayal of the Romeo and Juliet themed musical.

Inferno - a double bill

Crestfall by Mark O’Rowe, directed by Jayde Kirchert, and Purgatorio by Ariel Dorfman, directed by Celeste Cody. Citizen Theatre. L1/377 Little Bourke Street, Melbourne – between Elizabeth and Queen Streets (enter via Racing Club Lane). 4 to 14 February, 2016.

Masterful theatre; both works in Inferno, Crestfall and Purgatorio, are beautifully and skillfully produced by Citizen Theatre.  These very strong offerings are the culmination of carefully considered work by skilled, hardworking theatre practitioners.  The upshot is very polished theatre of ‘high quality’ on a ‘shoe string’.

For the audience the atmosphere created is welcoming and comfortable.

However the material is rich and confronting:

Doctor In The House

Directed by Dr. Ahmed Kazmi. FringeWorld. The Moon, Northbridge, WA. Feb 5-9, 2015

Doctor in the House, which has just finished its FringeWorld season in Perth, started a little late, which given that this show is about life as a General Practitioner, is perhaps unsurprising.

Billed as a comedy, it might better be described as a cabaret, but as we are told, they don't sell as well as Comedy, and our performer Dr. Ahmed Kazmi is determined to raise as much money as possible for the Cancer Council.

ALPHA

By Sebastian Robinson and Tamara Natt. The Old Fitz Theatre (NSW). February 9-20, 2016.

Following a sellout season at Melbourne’s La Mama Theatre as a part of the Melbourne Fringe Festival, Red Line Productions have brought ALPHA to The Old Fitz. ALPHA is a new Australian work created and performed by Sebastian Robinson and Tamara Natt, with Robinson in the seat as director.

Inside We Hide

Directed by Scott Corbett. The Blue Room Theatre, Perth Cultural Centre, Fringe World, WA. Feb 9 - 13, 2015

Those familiar with The Blue Room Theatre will know that audience members (usually) need to walk completely across the stage to reach the seating area. As you enter for Inside We Hide, you need to be careful not only not to trip over potatoes on the floor, but to avoid treading on actors as well.

Ann-Marie Biagioni has created an intriguing thriller, where three people are being held prisoner in an unknown place, while someone of importance to them is being tortured on the outside. To add to the confusion, their captor appears to be a little girl.

The Village Bike

By Penelope Skinner. Directed by Ngaire Dawn Fair. Red Stitch (Vic). 2nd February-5th March 2016

Red Stitch kicks off the new year with a nicely focussed production of Penelope Skinner’s award winning play about sexual obsession and gender hypocrisy. It’s a bold play, and perhaps shocking to the elderly Sunday night audience I shared a performance with. Nevertheless, it has relevant things to say beneath the sledge-hammer approach and shock tactics of the text itself.

The Picture of Dorian Gray

By Oscar Wilde, adapted by Nathan Farrow. Directed by Stephen Lloyd-Coombs. Genesian Theatre, Sydney. February 6 – March 19, 2016

Oscar Wilde’s novel, an examination of youth, beauty and narcissism, has arguably found even greater relevance today. In the age of cinema – and indeed Facebook, instagram and Tindr – the potential for modern adaptation is clear.

Fame

Conceived and Developed by David De Silva. Book by Jose Fernandez. Lyrics by Jacques Levy. Music by Steve Margoshes. Title Song ‘Fame’ by Dean Pitchford and Michael Gore. APAN. Directed by Olivia Collier. Octagon Theatre, University of Western Australia. Feb 6-7, 2015

APAN, The Australian Performing Arts Network, is an organisation which has several arms including offering Certificates and Diplomas in Performing Arts, a Talent Development Program which allows high school students to intensively study dance or music theatre while continuing academic studies, and a network program which invites young performing artists from across the state to come together for performance opportunities.

Subscribe to our E-Newsletter, buy our latest print edition or find a Performing Arts book at Book Nook.