Reviews

The bizarre and highly parodic nature of Gilbert and Sullivan is at its peak in this delightfully amusing and visually stunning production. The bold and colourful set design (Richard Roberts) has an immediate mesmerising effect. This is echoed in the equally beautiful execution of the costume design (Roger Kirk) and is reinforced with a perfectly tuned lighting design (Trudy Dalgleish). This results in an awe-inspiring production design which captivates the audience from beginning to end.

Image above: Three versions of Connor Costin.

Staged in the intimate upstairs space at PIP Theatre, Deal With It wastes no time establishing its tone. Co-written and directed by Aimee Sheather and Aarya Dath and produced by HansonCreative, the show leans hard into dark comedy to poke at misogyny, entitlement, and the quiet violence that sits beneath everyday interactions. It is slick, sinister, and knowingly playful, often funny enough to lower your guard before reminding you exactly what it is really about.

Performing in the Blue Room’s smallest and most intimate space for a very brief season, Bron Bateman’s autobiographical short play Love Like This Isn’t Harmless tells of a queer mother bringing up two sons, one who is gay, and the other who is trans mass.

The show features Bron, with her real-life family on a stage, where they are clearly packing a home for a move - a process that leads to reflection and reminiscing.

The Australian Shakespeare Company is always a highlight of the summer theatre season in Melbourne. Their expertise in staging outdoor production has proven to be a winning formula. This production of Twelfth Night aims to draw out the humour and gives each character a strong comical disposition. The tongue-in-cheek approach to the characterisations place emphasis on the flaws of the personas to generate much amusement. This makes the play extremely enjoyable, and the interactive approach of the performers ensures that the audience is totally hooked.