Written by Tee O’Neill. Alan Jager in association with Hit Productions (VIC). The Athenaeum Theatre. Director: Terence O’Connell. 20 Sep – 14 October, 2012.

Aussie Rules football – ‘GUTS, DETERMINATION, FEAR’ – offer your coach Ron Barassi anything less and you’d better be man enough to cop a spray at half-time – a monstrous vocabulary served in your face with the kind of ferocity that just might send today’s sportspeople off for some therapy.

Private Lives

By Noël Coward. Belvoir Theatre, Sydney. Director: Ralph Myers. 22 September – 11 November, 2012 (Wollongong 14-17 Nov; Canberra 21-24 Nov).

Excellently acted by a top-flight cast and happily received by a packed house, this modern-dress version of Noël Coward’s 1930 masterpiece is alive with contradictions. All of Coward’s brittle dialogue has been retained, but here delivered by 2012 characters. ‘What a cad!’ says Victor of his rival. ‘What utter, utter fools!’ says Elyot, ruefully describing himself and his on/off true-love Amanda. And there is talk of glamorous holidays in St Moritz, Cannes and Tunis, of watching the Tiller Girls, of sending urgent messages by telegraph.

Kodo & Taikoz

In Concert. Featuring Riley Lee (shakuhachi). National Tour. Melbourne, Presented by Taikoz and Arts Centre Melbourne. Hamer Hall – 24 September, 2012. Sydney – City Recital Hall Angel Place – 27 and 28 September.

Kodo & Taikoz In Concert is a generous rousing and very powerful experience.  Vigorous and energetic drummers engage fully with the Taiko (drums) and joyfully with each other to wholesomely entertain.  There is not one beat out of place.

Very enthusiastically received by the audience, this amazing concert is the amalgam of many years of cultural exchange and development between the Japanese Taiko playing ensemble Kodo and Australian ensemble Taikoz.  Surprisingly approximately a third of each of these cohorts of musicians is female.

May & Alia do Pirates!

Creator/Performer/Producer: Alia Vryens. Creator/Performer: May Jasper. Venue: Revolt Artspace. September 26 – 30, 2012

May & Alia do Pirates!, and part of the Fringe Festival. It was unlikely to be long or boring, so I trotted along and found it most entertaining. May and Alia burst onto stage and held their pirates pose while they ascertained that they were alone. They’d forgotten to text the rest of the cast of Pirates to remind them they had a show.

So they decided to continue without them. I remember a similar concept being used in the show Hats some decades ago.

The Tuxedo and The Little Black Dress.

By Louis Nowra and Stewart D’Arietta. Director: Christopher Parker Chapel off Chapel 27 Sept – 14 Oct, 2012 (preview 26th). World Premiere.

Louis Nowra is justifiably one of our most esteemed playwrights. Stewart D’Arietta is a renowned musician noted for his work on Through a Glass Onion and his “Tom Waits” show in various incarnations. I am an unabashed fan of their work. I’ve been looking forward to this production for some months and even took a bunch of friends with me. It’s therefore disappointing and bewildering to have to ponder why their new show doesn’t work the way it should.

Tender Napalm

By Philip Ridley. Presented by La Boite & Brisbane Festival. Roundhouse Theatre, 21 Sep–13 Oct 2012

After the extensive promotional build-up to this play, I suspect I went along with false expectations. I am blessed with detailed long-term memory and I recall those euphoric highs and bitter lows of burgeoning new love, but mostly I recall the joyous physicality of affairs.

The talented pair in this play, played by Ellen Bailey and Kurt Phelan, didn’t achieve any form of intimacy, not even holding hands, until the final moments. It was just words, words, words ─ sometimes lyrically poetical, other times violent and ugly.

Daibolica Jones

Written by Anna Held. Drop Bear Theatre. The cast: Diabolica Jones, Pier Carthew; Sharon, Sarah Lockwood and Carol, Carolyn Ramsey. Kingston Arts Centre – Moorabbin. 24 – 26 September, 2012 at 11am and 1.30pm

I was lucky enough to, almost accidentally, catch a preview of this charming show for young people. 

Diabolica Jones, the play, is a spirited and intriguing work, full of imaginative connections and flights of fancy, presented with sparkling fresh energy.

Hair: the American Tribal Love-Rock Musical

Book & lyrics by Gerome Ragni and James Rado. Music by Galt MacDermot. Queanbeyan City Council. Directed by Stephen Pike. Queanbeyan Performing Arts Centre. 19 September – 6 October, 2012.

It must be difficult in 2012 for a cast born in the 1990s to understand the concerns and attitudes of their forebears some four decades earlier. Then, the cold war; the Vietnam war; justified fear of atomic war; and other causes fomented a revolution in attitudes to the demands of the military–industrial complex. Today, that complex is well-embedded in American pop culture and nearly invisible, and would raise hardly a murmur amongst the young except for the new revolution, the Internet.

His Room

By Wayne Tunks. True West Theatre. Riverside Theatres, Paramatta. September 14 to 22, 2012.

A child has been abducted.

10 years on, a mother clings to hope, turning her son’s bedroom into a shrine, adding the latest gift to a pile of unopened birthday gifts, accumulated over a decade. She continues to progressively withdraw from the world, her husband and her surviving son, with painful ramifications.

At Parramatta’s Riverside Theatres, True West Theatre fosters works written or set in Sydney’s west, giving local works a first airing for local and broader audiences.


By Jean Gordon. King Street Theatre, Newtown (NSW). September 18 – 24, 2012.

Zoe, a short, concise drama, is a tightly woven exploration of loss and its after effects. Main character, Emma, is newly divorced and has lost her husband and the possibility of a child with him. In addition, her mother maintains a relationship with the ex which adds to her distress.

Emma was a sad, drab character clad in dull brown and her confusion and anger were honestly portrayed by Sarah Kate Mitchell. Will Harrison Smith as her best friend, Chris, showed humour and warmth and their realistic relationship was a highlight of the play.

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