The Hatpin by James Millar and Peter Rutherford

Amateur Premiere. Riverside Lyric Ensemble. Lennox Theatre, Riverside Theatres, Parramatta. Until April 17.

Riverside Lyric Ensemble’s production of Australian musical The Hatpin is in the higher echelon of Sydney amateur musical theatre, in terms of both production values and performances. It is a clean, polished, no-frills production, with a cast balancing some of the best ‘old hands’ on the circuit with exciting, less familiar talents.

Ruby Moon by Matt Cameron

Pantseat Productions. The Playhouse, Newcastle. March 4 to 6

The anguish of the young wife in Ruby Moon is evident from the time her husband arrives home from work and tries to give her an affectionate kiss. She resists, pulls away, and says “How do we do this again?” The pair’s six-year-old daughter, the title character, disappeared several years ago while going to the other end of their cul-de-sac suburban street to visit her grandmother and they are still trying to come to terms with the loss.

Animals Out of Paper by Rajiv Joseph

Ensemble Theatre (NSW). Until April 24.

A light, engaging three-hander play, Animals Out of Paper builds on a wafer of plot, with genuine humanity, wit, awkward romance and a touch of hip-hop.

The Ensemble production works nicely despite the play’s rather too obvious central metaphor, comparing the marks left on life and relationships to the folds of origami. Perhaps the metaphor misses because origami tends to be talked about rather than integrated into the action, except as completed works.

The Last Days of Judas Iscariot by Stephen Adly Guirgis

Hunter TAFE Performing Arts. The Playhouse, Newcastle. March 25 to 28

The Last Days of Judas Iscariot was the last production to feature all 15 members of Hunter TAFE’s initial advanced diploma in acting class and it was a rewarding finale for a group who have done fine work in their three years of training. The play uses a trial in Purgatory of Judas Iscariot, the disciple who betrayed his friend and leader Jesus Christ, to look at issues including concepts of good and evil, guilt and forgiveness, despair and redemption, and social pressures and free will.

The Penis Principles - Return Season Announced

Matt Byrne Media. Holden Street Theatres, Adelaide - April 9 to 11

The latest production from Producer / Director Matt Byrne, The Penis Principles, is a fast-paced and hilariously low-brow journey into the issues plaguing modern man. The three-man cabaret comedy stars the director himself and tackles both the silly and the serious, in a night of genital fact and farcicality.

Jewish Chronicles

Theatre Works, St Kilda, Thursday, 1 April 2010 (Plays thru April 10). Also in Sydney at Bondi Pavilion Theatre - April 13 - 18.

Daniel Cainer’s Jewish Chronicles is a one-man cabaret fresh from the Edinburgh Festival and London’s West End. A collection of songs and stories that examine, with great compassion and humour, what it means to be Jewish in the 21st Century, the name is a play on the Jewish Chronicle newspaper and the show itself an accidental product of Cainer’s own ‘mid-life kosher crisis.’

Joseph Heller’s Catch 22

Brisbane Arts Theatre. March 3 to April 3.

What a joy to catch up with an inspired stage production of this 1960s literary classic! It’s a devilishly difficult play to bring off, but with an ingenious set, a committed cast (all but one of whom played multiple roles) and Gregory Rowbotham’s masterful direction, this team succeeded in spades. The WW2 flight squadron of crazies portrays an uncomfortable parallel with events in more recent US wars. Seems you don’t have to be mentally unstable to go to war, but it helps.


NICA (The National Institute of Circus Arts). Prahran (Vic). Until March 31

ver-i-tas – noun Latin. Truth.

Vampire Stories

Slide, Oxford Street, Darlinghurst (NSW). Thursday evenings at 7pm from April 8.

Nosferatu meets cabaret meets Oxford Street drag show, in a deliciousy integrated night of dinner theatre. Screams of shock and squeals of laughter begin in the vestibule. But I won't spoil that! The ghoulish glam of the hostess and Rocky Horror reminiscent waiting staff establish the mood from the outset. Performers double as waiters and bar staff, or do I mean the reverse. Not an unusual occupational doubling, you may say, but terrifically integrated and atmospherically effective.

The Bitterling

Pentimento Productions and La Boite Indie (Qld). 17th Mar – Apr 4th

Author Sven Swenson’s reputation took off publicly last year with his ‘big’ play The Truth about Kookaburras. The theme of that murder-mystery was ‘What constitutes masculinity’? In this work, he explores the power of motherly love. As a secondary theme, he challenges the freedoms the WW2 diggers fought to defend, given the number of family values they held dear that were shattered in the ensuing decades. (Daughter of a victim of the Burma railway, Rose, exemplifies many of these in her tearaway character.)

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