Emilie La Marquise Du Châtelet Defends Her Life Tonight

Emilie La Marquise Du Châtelet Defends Her Life Tonight
By Lauren Gunderson. Anatomical Heart Productions. Directed by Michelle Ezzy. The Studio, Subiaco Arts Centre, WA. Aug 11-14, 2021

Emilie La Marquise Du Châtelet Defends Her Life Tonight, the debut production of Anatomical Heart Productions, is a fascinating story about a brilliant woman, overlooked by history. Beautifully presented, this cleverly constructed story is well directed and told with intelligence and style.

This brilliant 18th century philosopher, scientist and mathematician was a lover of Voltaire, controversial and a gambler. In this play, a now dead Marquise looks back at her life with commentary and thought. Overtly and unapologetically theatrical, this production draws you into 1700s France, with its well-acted ensemble performance. A wonderful examination of the science involved in Emilie’s story, blended nicely with a retrospective look art love and life - I feel that the actors really understood the science involved - perhaps unsurprising given that several actors and director Michelle Ezzy, have science backgrounds.

Kate O’Sullivan is excellent as protagonist and narrator Emilie, beautifully conveying her depth of mind, passion and sense of being ahead of her time. Joanna Tyler also plays the same character - with outstanding facial expression and expert physicalisation.

Alan Gill is superb as the amazing, infuriating, charming and dreadful Voltaire. A wonderfully portrayed mess of contradictions, his performance is a wonderful constant in this performance and while historically Emilie has become a footnote in Voltaire’s story, Alan Gill’s careful portrayal allows her intelligence to shine.

Wonderful support performances from the remaining cast. Nate Teune plays most of the male figures in Emilie’s life, including her father, husband and lover with wonderful distinction and lovely comic timing. Kyra Belford-Thomas and Hetty Lobegeiger play a plethora of roles, establishing believable characters quickly.

Costumes are exquisite and true to the era, with lovely work from Marjorie De Caux, Shelly Miller and Merri Ford. Atmospherically lit by Shelly Miller, the production features organic composition from John Congear. 

Though it is very hard to secure a ticket in this very popular short run, I would not be surprised if this production has a life beyond this season. A wonderful choice for lovers of strong female characters, science, and strong new work.

Kimberley Shaw

Photographer: Mike McAllan

 

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