Evita

Stirling Players’ Evita’s reputation has proceeded it, with the production completely sold out prior to opening night. A quality production with a stunning lead performance, it was very well received by its Opening Night audience.

Very much a star vehicle, the title role is played by Danielle Battista, in a well-sung, expertly acted performance that enchants the audience. A flawed, but complete and ultimately sympathetic character, Danielle captures her beautifully and looks stunning throughout, bearing much more than a passing resemblance to the real Eva Peron.

While this show relies on its lead, there are other important roles. Well done to Kevin Winder, who makes his Australian and adult debut in the significant and large role of Che - a very different interpretation to what I have seen before. Russell Chandler has excellent upright bearing and portrays believable devotion to Eva, in the role of Juan Peron.

Johan Anwar makes an admiral theatrical debut as Eva’s first lover Magaldi. Morgan Halket overcame a misfunctioning microphone to own her cameo role of The Mistress, while the trio of children Susanna Von Perger, Jake Scott (a lovely debut) and Sophie Walker were gorgeous and angelic in their special moment with Evita.

A large ensemble (which could have used more men - always a struggle especially in shows with feminine names), was strong and kept very busy throughout, playing multiple roles and making frequent costume changes. 

The show generally sounded good, with Musical Director Maree Scott eliciting good voices to a backing track. Vanessa Gudgeon did a good job on sound, but it was occasionally too loud or peaky, possibly as a result of her being in the box rather than the auditorium. Brooke Burton’s choreography catered well to a cast of varied abilities, if at times a little repetitive.

The look of the show was lovely, with large set pieces (designed by Steve Sherwood) appearing on an often-unfurnished stage with excellent projections (Joe Teakle). John Woolwrych’s lighting design is complex and intelligent - with a strong focus on Eva, and lovely use of colour.

Fran Gordon’s costumes are outstanding - picture perfect even if sometimes only worn for seconds.

I’d normally say run out and get a ticket, but unless you can nab a return, or one of the few left at a charity benefit night, you’re going to be out of luck. Congratulations to Stirling on an already successful season.

Kimberley Shaw