G.

The Australian Dance Theatre's latest offering G, is to ballet what MTV was to music back in the 80s. It's revolutionary, fresh and completely revitalises Giselle, a classic piece which is considered to be the Hamlet of the dance world.

There are no stuffy ruffled costumes here or ballerinas with hair pulled back tightly into shiny buns. Rather green is the colour or choice, reflecting envy I imagine. The men in track suits and the women in form fitting dance gear, teamed with a simple tutu in a nod to tradition. This allows for the audience to focus primarily on the movement, line and charcterisation of the dancers.

The stage is bare except for a massive screen on the back wall with thousands of small LED lights that broadcast words and phrases throughout the show. Composer Luke Smiles' music is an array of techno dance music that beautifully and violently punctuates the action. And Garry Stewart's choreography and direction is precise, inventive and at times cripplingly uncomfortable.

The cast of 11 (who obiviously have solid training in ballet) are a powerhouse combination of modern dance, gymnastics and classical moves. What's missing is the overwrought acting so often seen in traditional ballet, which is a good thing. These dancers are able to communicate with authenticity.

G will blow your socks off.

Whitney Fitzsimmons

Photographer: Chris Herzfeld