Tabac Rouge

Compagnie Du Hanneton. Sydney Festival. Sydney Theatre. January 7 – 23, 2015

Tabac Rouge heralds a welcome return to the Sydney Festival for performer and creator James Thierree and Compagnie Du Hanneton.

This production focuses on a once glorious society and its slow descent into chaos and decay. We see a King (Thierree) at the height of his command, adored by his people and in control of a grand society. But it is the combination of indulgence, age and the duplicitous nature of politics that leads to his undoing and largely that of his dystopian/utopian vision.


By Kate Mulvany, from the book by Kit Williams. Sydney Festival. Drama Theatre, Sydney Opera House. January 7 – 17, 2015.

In Kit Williams’ book Masquerade, the Moon, who has fallen in love with the Sun, sends her special messengers, Jack Hare and the frog, with a jeweled amulet and a riddle to tell him of her love. The Hare’s journey must be completed in a day, and is fraught with many obstacles. The story, interspersed with beautifully wrought illustrations, riddles and messages about life, and love, and loss, has been special to many children around the world.

Joseph and the Amazing Technicolor Dreamcoat

Lyrics by Tim Rice. Music by Andrew Lloyd Webber. Packemin Youth Productions. Directed by Neil Gooding and Jordan Vassallo. The Concourse, Chatswood (NSW). January 9 – 24, 2015.

Joseph is so familiar that for many of the songs I was almost tempted to sing along. It’s not just that I played the lead in 1979 in primary school. (How old must I be?) But this very large cast of under 20 year olds had a stirring impact on the audience. The joyous impeccably drilled choir was bursting with energy from beginning to mega mix finale.


By Louis Nowra. Belvoir Street Theatre, Sydney. Director: Leah Purcell. 3 January – 8 February 2015

Louis Nowra’s great Australian play, first staged at the Belvoir in 1982, here gets a fiercely acted revival starring and directed by Leah Purcell. You’d think that would be a tough gig for Purcell: it’s a three-hander, after all. But this is fine work, beautifully set and lit, and a tribute to the depth and intensity of Nowra’s writing.


Panto, adapted by Terri Woodfine and Tess Burke. Spotlight Theatre, Benowa, Gold Coast. Director: Terri Woodfine. Jan 7 to 17, 2015

It’s school holidays, wet, and I have Master 9, Miss 7 and

Master 5 to entertain.  What’s to do on a Wednesday morning?

This show has certainly started Spotlight’s 60th year off with a bang – or rather a flourish of trumpets and magic.

My own little audience was captivated from the very start – Master 9 grasping lots of the mature snippets of humour, along with the adults in the audience; while Master 5 adored the crazy slapstick pantomime comedy, that’s to be expected from this style of show.

The Illusionists 1903: The Golden Age of Magic

Presented by QPAC in association with Tim Lawson and Executive/Creative Producer: Simon Painter. Creative Director: Mark Kalin, Original Music: Evan Jolly, Scenic Designer: Todd Ivins, Costume Designer: Angel Aaron, Lighting Designer: Christopher Boon Casey. QPAC Concert Hall, Brisbane. 4-11 January, 2015; Festival Theatre, Adelaide Festival Centre, 15 – 25 January 2015

Many years ago I remember seeing an old historical documentary tracing the incredible talents of the fast fading performers of the Vaudeville era. Fortunately the silent era of film was already in the making and able to capture some of these artists’ talents before being lost forever. Ironically, though, it was the film industry that gradually dissolved their world, as producers started to cash in on the benefits of transforming their venues into movie houses.


Adelaide Season December 30, 2014-Jan 11, 2015. Brisbane, Melbourne, Sydney and New Zealand seasons to follow.

THRILLER Live is thrilling indeed. Non-stop music, fabulous dance and sophisticated technical effects combine in a superb production.

There is no ‘story’ as such. Instead, the show is a celebration of the journey through pop to rock and soul to disco that Jackson undertook during his life and that he performed so uniquely.

The Magic Flute

By Mozart. Opera Australia. Director: Julie Taymor. Joan Sutherland Theatre, Sydney Opera House. January 2 – 30, 2015

The opportunity to see two very different Opera Australia productions of The Magic Flute in a matter of months was something not to be missed. In the first, The Magic Flute on Tour, Australian idiom, Egyptian Mysteries, wonderful voices and a chorus of local children took Mozart’s appealing music and characters to multiple venues and audiences around the country. It was fun, entertaining, beautifully directed and performed, educational … but just a little bit ‘twee’.

The Addams Family

Music and Lyrics by Andrew Lippa. Book by Marshall Brickman and Rick Elice. Directed by Danny Ginsberg. PLOS (Vic). Frankston Arts Centre. Dec 31 2014 to Jan 10, 2015.

PLOS have another smash hit on their hands thanks to a stunning cast, the marvellous innovation of Director Danny Ginsberg, great costuming by Brett Wingfield and knockout choreography by Steve Rostron to Bev Woodford’s exemplary Musical Direction of a top notch orchestra.

Spirit of Christmas

With Simon Burke, Christie Whelan Browne, Queensland Symphony Orchestra, QPAC Choir, Brisbane Chorale, Brisbane Birralee Voices. Director: Brendan Ross Concert Hall, QPAC, Brisbane. 19-20 December 2014

Spirit of Christmas is an annual institution being a part of the fabric of Brisbane for the past thirty years. Audiences know what to expect and they get what they expect, a concert of hymns, religious works, Christmas songs and sing-a-long. Producer Paul Dellit doesn’t play around with the formula but manages to keep it fresh by seeding a new and unfamiliar Christmas song in with the traditional and also by introducing new talent. Billy Bouchier, a recent graduate of the Queensland Conservatorium Musical Theatre Course, was the latter in this year’s concert.

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