Reviews

You Know We Belong Together

By Julia Hales with Finn O’Branagáin and Clare Watson. Black Swan, Perth Festival, Dadaa co-production. Directed by Clare Watson. Heath Ledger Theatre, State Theatre Centre of WA, Perth. March 20-31, 2019

Julia Hales is a dynamic, attractive, bright 38 year old actor, who lives on her own in a flat in Subiaco. She is single, but would prefer not to be, is a huge fan of Home and Away, has been acting for over twenty years, and has an extra 21st chromosome.

The Choir of Man

The Studio, Sydney Opera House. Mar 20 – Apr 7, 2019

A blast! A rage! A ball! Whatever idiomatic superlative you use, it probably isn’t enough to describe the vibe and energy of the nine cheeky, gifted English ‘lads’ who are The Choir of Man. Arunaway hit at the Edinburgh Festival in 2017, and fresh from the 2019 Adelaide Fringe festival, the boys have hit NSW running – and dancing and singing – in a rousing production that makes the spirit soar.

Into the Woods

Music and Lyrics by Stephen Sondheim. Book by James Lapine. Bloom Productions. Directed by Jordan Vassallo. Musical Direction by Peter Hayward. Concourse Concert Hall, Chatswood. Mar 21 – 23, 2019

This was a spectacular debut for a new theatre company, using the unusual surroundings of a concert hall to present this musical with imagination. From the ceiling dropped the forest, from the balcony dropped Rapunzel’s hair and beautiful use of shadows effected a most satisfying giant. Balancing the sound of the fine orchestra on stage with the cast took a little time to settle in but was soon resolved.

The Book Of Mormon

Book, Music & Lyrics: Trey Parker, Robert Lopez and Matt Stone. Anne Garefino, Scott Rudin, Important Musicals, John Frost Production. Director: Casey Nicholaw & Trey Parker. Music Director: David Young. Choreography: Casey Nicholaw. Lyric Theatre, QPAC, Brisbane. Opening Night 20 March 2019

After playing a year in Melbourne and a year in Sydney, The Book of Mormon is finally pushing Brisbane’s doorbell. One of the funniest musicals to come out of Broadway this century, the show is outrageous, blasphemous, rude, vulgar, and a heavenly slice of musical comedy that hilariously zips along for an exuberant two-hour ride.

Cinderella

The Australian Ballet with Orchestra Victoria. The Arts Centre, Melbourne. 19th – 28th March, 2019.

Melbourne ballet fans were ready for Graeme Murphy’s brand new ballet, an adaptation of Oscar Wilde’s The Happy Prince to open the Australian Ballet’s season this year. However, with only weeks to go, illness forced the postponement of this ballet until 2020.  Instead, Melbourne gets the chance to see this fabulous version of Alexei Ratmansky’s Cinderella. 

Keeping Up Appearances

By Roy Clarke. KADS. Directed by Anita Bound. KADS Town Square Theatre, Kalamunda. March 8-23, 2019.

KADS’ Keeping Up Appearances was a sell out before it even opened, with this play, based on the popular TV series, proving very popular with local audiences.

Picnic At Hanging Rock

By Laura Annawyn Shamas, based on the book by Joan Lindsay. Townsville Little Theatre. Directed by Alan Cooke. Dancenorth Theatre, cnr Stanley Street/Walker Street, Townsville. 20-23 March, 2019.

It is hard to believe that Peter Weir’s seminal film Picnic at Hanging Rock first came to our screens 44 years ago.

Now regarded as one of Australia’s classic films, it has gone on to be adapted for television, and was first adapted for stage only three years ago by Melbourne’s Malthouse Theatre in an interesting production which had five female actors play all the roles – male and female.

Glory

Phillip Adams BalletLab. Dance Massive at Temperance Hall, South Melbourne. March 19 – 23, 2019

Phillip Adams Ballet Lab presents his new show Glory for Dance Massive at Temperance Hall in South Melbourne, involving a pastiche of dance, choreography and visual art that transcends into a uniquely aesthetically disruptive art performance. Adams is a pioneering Australian based conceptual performer, previously based in New York who has performed successfully across the globe, who established Ballet Lab in 1998.

Company

By Stephen Sondheim and George Furth. WAAPA’s Third Year Musical Theatre students. Directed by Andrew Lewis, Musical Direction by Craig Dalton. Roundhouse Theatre, WAAAPA, Edith Cowan University, Mt Lawley, WA. 16-23 March, 2019

WAAPA’s Third Year Musical Theatre students present Company, in a crisp, clean and clever production that is delighting its capacity audiences.

A great looking show, it features a streamlined set by student designer Ashlea Lansford, evocative and effective lighting design by Rhys Pottinger, top notch sound design by Noah Ivulich and thoughtful costume design by Monique Doubleday - the wedding dress is especially gorgeous.

Romeo and Juliet

By William Shakespeare. WAAPA Third Year Acting Students. Directed by Michael Jenn. Studio Underground, State Theatre Centre of WA, Perth. 15-21 March, 2019

WAAPA’s Third Year Acting Students are using the State Theatre Centre’s Studio Underground to present this large scale, production of Romeo and Juliet. Set in Verona, but in the 1950s, it is a passionate, gorgeous looking show, that sits nicely in its new time period. 

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