Reviews

La Traviata

By Giuseppe Verdi, libretto Francesco Maria Piave. Adapted by Emotionworks Cut Opera. The Men’s Gallery, Lonsdale Street, Melbourne. 16, 17, 23, 24, 30 & 31 July 2016.

Verdi’s Traviata (‘fallen woman’) is a courtesan - so why not stage the opera in a strip club?  That’s what director Julie Edwardson and her Emotionworks Cut Opera have done.  The audience, attracted by the originality of the concept or perhaps the salacious nature of the venue, surrounds the stage where strippers and pole dancers do their thing at other times.  A four-piece blues’n’jazz combo, including Ms Edwardson herself on keyboard, supplies the music.  It’s not as Verdi and his librettist Francesco Maria Piave conc

The Marriage of Figaro

By Mozart. OAonTour. Director/Adaptor/Translator: Michael Gow. Conductor: Paul Fitzsimon. Drum Theatre, Dandenong, July 15 and 16, and touring nationally in 2016

OAonTour is the touring arm of Opera Australia. They have had a touring arm forever, bringing opera to the far reaches of this large country. Usually they perform with no chorus and minimalist sets.

This was different.

There was a small orchestra, but more importantly, a choir from a local primary school. What a great idea! The Marriage of Figaro has little to involve the chorus, and these young people got their opportunity to shine and to experience opera and hear some magnificent voices at very close range. This is an experience they will never forgot.

Menopause the Musical - Women On Fire

By Jeanie Linders. Lascorp Entertainment(Vic). Athenaeum Theatre, Melbourne. Director & Choreographer Tony Bartuccio. Melbourne 16th July – 6th August, 2016, and Brisbane (Twelfth Night Theatre) 26th August – 4th September.

Back in 2005 at its Melbourne debut, Menopause the Musical audiences were predominantly comprised of middle-aged women. But on opening night a decade or so later there were quite a number of gents prepared to expose themselves to a new frontier, along with a smattering of younger patrons.

The Servant of Two Masters

By Carlo Goldoni. Translated and directed by Rosa Campagnaro. Presented by Make A Scene. La Mama Courthouse, 349 Drummond Street, Carlton. 13-31 July, 2016.

The magic of Goldoni has been brought to life by an enormously gifted troupe of actors in this impeccable production. Rosa Campagnaro’s credentials as a physical theatre practitioner and expert in Commedia dell’ Arte are impressive and the Australian theatre scene is reaping the benefits of her fantastic artistry.

The Wharf Revue – Celebrating 15 Years

By Jonathan Biggins, Drew Forsythe & Phillip Scott. Sydney Theatre Company Production. Musical Director: Phillip Scott. Gardens Theatre, Brisbane. 15-16 July 2016 (Touring).

A Brisbane appearance of Sydney Theatre Company’s revered The Wharf Revue is always eagerly anticipated. Previous visits to the Sunshine State have seen sold-out houses for Pennies from Kevin (2009) and Debt Defying Acts (2011), but it’s unlikely this current show will repeat the success of the previous two. It’s virtually a ‘best of’ program but, unlike a ‘best of’ album, several skits don’t bear repeated viewing.

Cinderella

By Jules Massenet. Libretto: Henri Caïn. Victorian Opera. Director: Libby Hill. Musical Director: Phoebe Briggs. Arts Centre Melbourne, Playhouse. July 15 – 18, 2016

Victorian Opera’s latest production for schools is an abridged version of Massenet’s Cinderella (Cendrillon). Designed to travel to schools and fit into various spaces, the set featured a series of flats on trolleys, which were pushed around stage to create different spaces. One side had Cinderella’s house and the other was the palace. This worked very well. The flats and the costumes were very colourful.

The 60 Four: A Step Back In Time

Presented by Umbrella Winter City Sounds. The Norwood Hotel, Norwood S.A. Friday, 15th July & Sunday, 7th August 2016

The 60 Four are a quartet of Adelaide-based Youth Theatre veterans - Ben Francis, Lachlan Williams, Tom Russell and Kyle Hall - who have joined forces to create a lively, upbeat tribute to the pop music of the 1960s. With their sharp suits and carefully coordinated dance moves, the group's theatrical training is clearly evident, their vocals both polished and impassioned.

Little Women

Music: Jason Howland. Lyrics: Mindi Dickstein. Book: Allan Knee based on the novel by Louisa May Alcott. Prima. Director: Melanie Evans. Musical Director: Andrew Wadley. Act One Theatre, Strathpine, Brisbane. 15 - 24 July 2016

Louisa May Alcott’s novel Little Women, about the four March sisters and their Marmee set during America’s Civil War, has been beloved by generations of women and men (mostly women) in print, film and theatre. This is not the first time the sprawling novel had been adapted into a musical but it’s one of the best, and Prima’s production of it is one of the best and most satisfying community theatre productions of the year.

The Gazillion Bubble Show

Festival Theatre Adelaide. 14-17 July, 2016

Audiences will be swept away in the magical world of bubble artistry that is The Gazillian Bubble Show. The anticipation of the predominantly young audience at the performance I attended was palpable, but as one soon discovers, this show appeals to the child in all of us.

Since the age of three Melody Yang has been performing with her family. She is the youngest of her clan to join the bubble business that combines art, science and entertainment.

 

demens

By Amedeo Astorino. Directed by Natasha Broadstock. Presented by A Curious Cat. Bluestone Church Arts Space, 10A Hyde Street, Footscray. 14–24 July 2016

This play examines the extremely disturbed psychological landscapes of four characters who inhabit a psychiatric hospital, and the real demons they face produce dangerous and devious behaviour. These portrayals are vividly rooted in the stereotypical fearful imaginations of what it is like to live with a mental illness. The references to archaic practices such as ECT (electroconvulsive therapy), lobotomy, excessive medication, and evil psychiatric staff (who appear more psychologically damaged than the patients) are all laboriously treated in this piece.

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