Reviews

Bespoke

Queensland Ballet. Paul Boyd – Caravanserai. Natalie Weir – Fallen. Jack Lister – Mind Your Head. Rani Luther – From.To.Here. Gardens Theatre, 8-17 Oct 2021

What an exhilarating afternoon of dance Bespoke was. As Li Cunxin said in his program note, ‘there’s always a sense of excitement in the air around Bespoke time,’ Queensland Ballet’s annual contemporary dance season, and this year was no exception. I don’t know whether it’s because this is the first time in two years they’ve staged a Bespoke season, or we were all celebrating that it was good to have it back.

The People Of Cabaret: We Are Here

Melbourne Fringe Festival. Oct 16 and 17, 2021

They are here for the Digital Fringe Festival 202I - People of Cabaret is an organisation dedicated to supporting and nurturing artists who are indigenous and/or Bla(c)k and/or people of colour. They are united in spirit and are committed to building an arts platform for all their artists to thrive in.

#txtshow (on the internet)

Melbourne Fringe Festival. Sep 30 – Oct 17, 2021

Do you believe the title of this show begins with a hashtag?

Yes, it is the real title, and it is more than just your average experimental fringe theatre show. It is a show on Zoom. Now l am sure we are all sick to death of Zoom, especially after our 2021 lockdown, but hold your horses, this show is more than Zoom. It is an online chat room with your friends /audience directing the man on your screen (Barry Feldman) via text messages. Or is he directing us? We as audience members remain anonymous to all other audience members except to our friends.

#txtshow (on the internet)

Melbourne Fringe Festival. Sep 30 – Oct 17, 2021

Do you believe the title of this show begins with a hashtag?

Yes, it is the real title, and it is more than just your average experimental fringe theatre show. It is a show on Zoom. Now l am sure we are all sick to death of Zoom, especially after our 2021 lockdown, but hold your horses, this show is more than Zoom. It is an online chat room with your friends /audience directing the man on your screen (Barry Feldman) via text messages. Or is he directing us? We as audience members remain anonymous to all other audience members except to our friends.

That One Time I Joined the Illuminati

Created & performed by Lou Walls. Music by Lou Walls & James Gales. Melbourne Fringe Festival – Digital Fringe. 13 – 17 October 2021

If you’re making a digital show to go into an online festival, you might as well go all the way.  This show does that.  It’s only award-winning Lou Walls’ second foray into digital theatre – and it’s slick, accomplished, fast and crazy.  There are original songs of course, as we’d expect from a composer/songwriter.  There is much complicated explanation and exposition delivered at head-spinning speed.  Maybe too head-spinning.  Who could take it all in?  We can’t and neither can Walls. 

The Sorcerer

By Gilbert and Sullivan. Gilbert and Sullivan Society of WA. Directed by Paul Treasure. Dolphin Theatre, University of Western Australia, Nedlands, WA. Oct 14-23, 2021

The Sorcerer, Gilbert and Sullivan’s early full-length collaboration, is one of the less frequently performed G&S shows, and is currently being performed by the Gilbert and Sullivan Society of WA, to capacity audiences.

Matriarch

Written, performed and produced by Sandy Greenwood. Melbourne Fringe Festival. Directed and Produced by John Merkel. Cultural and Story Consultants: Aunty Lauren Jarrett & Aunty Sandra Buchanan. 30 September – 17 October, 2021 on demand

Matriarch opens with the entrance of actor Sandy Greenwood as an energetic and lively young girl expressing her delight in country and collecting berries for her numerous siblings.  Greenwood, a consummate indigenous performer, from salt water Bloodlines and Songlines, appears, almost magically, to be bathed in the vital and rejuvenating spirit of country in this beautifully recorded version of her show.

According to Rumour

By Robert Scott. Presented by Tea Tree Players. Tea Tree Players Theatre. October 13-23, 2021

British playwright Robert Scott has written a quickfire comedy that hits the ground running. As the curtain rises, we witness the aftermath of a party that has taken place the previous night. Set in the flat of newly divorced Carter, we meet a half-naked woman named Kitty Kat and his best friend Roger. With scattered memories from the night before, Carter does his best to piece together what has happened before his domineering mother and sister arrive for an unplanned visit.

Hey, Hey, It’s Lockdown

Written & performed by the Game Boys – Joshua & Eden Porter. Game Boys Comedy. Audio Visual Design by Kinetic Screen. Melbourne Fringe Festival – Digital Fringe. 1, 8 & 15 October 2021

Hey, Hey, It’s Lockdown (HHIL) is a ‘variety’ show that went out live, via YouTube, for only three Friday nights during the 2021 Fringe Festival.  It was different each night and included prominent use of the YouTube Chat Room facility.  Basically, the target of the Game Boys, Josh and Eden Porter, is the very long-running, very popular television show (1971–1999) Hey, Hey, It’s Saturday, hosted and produced by Daryl Sommers.  Indeed, if you kept an eye on the chat room, frequently on screen, you’d see entries from ‘

Medea and Jason: A Mini Musical

By Loucas Loizou. Melbourne Fringe. September 30 to October 17, 2021

The myth of Medea inspired the famous Euripides play, written and performed in 431 BC. It received third prize, considered a fair appraisal, during the Dionysus Festival in Ancient Greece. Medea is now considered one of the greatest plays of Western civilization. It has had countless productions, adaptations, yet is still resonating with modern audiences for its core themes that explore patriarchy, vengeance, betrayal, filicide, exile, and political corruption.

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