Reviews

This devised production explores what would happen if people communicated IRL (in real life) the way that they do online. It uses real text exchanges and comment sections to create scenes.

An ensemble cast, clad in black tops and jeans, has a lovely blend of uniformity and individuality; they move beautifully in choreographed sequences and have a great sense of teamwork throughout. I was surprised to learn that there were actually two casts, all of whom worked together to develop the piece. 

Presented over two weekends, A Lifetime of Deaf and Deafblind 2 is the story of deaf and deaf blind experience told through story and song. It is produced, directed and compared by Peter Blockey, who was born deaf into a hearing family in regional WA, and he is the writer of the songs that form much of the show.

While we are spoilt for choice with circus shows during Fringe World, All Star Circus is a great choice for family viewing. Playing in the olde world grandeur of De Parel Spiegeltent, with its circus tent ceiling, the setting blends intimacy with tradition, and the show puts a plethora of acts into the one-hour show.

The rebels once behind Disco Sucks thought they’d won the fight but, as the title says, Disco Never Dies, especially judging by the masses who turned up at Sydney’s Hordern Pavilion. 

The packed bleachers and huge dance floor was a glittery reminder of Mardi Gras but on stage it was the Sydney Symphony Orchestra, playing the hits that this older audience grew up with. And were still dancing to.