Reviews

PARLEY!

Written and performed by Rachael Besselink and Elena Larkin. Directed by Harley Hefford. Melbourne Fringe Festival, The Butterfly Club, Carson Place, Melbourne. 28 Sept - 2 Oct, 2016.

This is a charming theatrical venture that draws directly from the theatre of the absurd. PARLEY! especially looks to the work of Beckett in Waiting for Godot. Ant (Larkin) and Pea (Besselink) are two characters who are lost at sea and this functions as a metaphor for their existence. There is an instant quaintness about their appearance which is aided by a beautifully designed and very atmospheric set. The gentle rhythms of the dialogue convey warmth from the characters that is rather unexpected and uncharacteristic of the genre.

Salvation Amy

Melbourne Fringe Festival Hub - Lithuanian Club - South Melbourne, September 16 - 23, 2016

Drawn to Salvation Amy by what is written in the publicity blurb – I was not disappointed.  It has the potential to become a burly, bawdy, darkly funny and sating Cabaret offering.   However on opening night the early parts of Amy Bodossian’s performance lacked confidence and subtlety through, what I assume were, first night nerves mixed with a sense of panic. 

Hidden Sydney – The Glittering Mile

Live Ideas and Working Management with Art & About Sydney. Mansion Lane Kings Cross. September 16 - October 9, 2016

I was waiting next to the Lord Mayor of Sydney Clover Moore to enter the ‘theatre’ when someone who resembled a vagrant started urinating into a gutter a few metres away.

The Lord Mayor was convinced he was an authentic drunk - up until we saw him again - playing the guitar inside.

This wasn’t the first or the last surprise of the evening. It appeared that even the most jaded theatre critic and opening night ‘luvee’ was entertained and fascinated by what was a lavish evening of immersive theatre.

The Hatpin

Music by Peter Rutherford, book and lyrics by James Millar. UMMTA. Director: Jordan Peters. Musical Director: Alexandre Guérin. Choreographer: Elle Richards. Union Theatre, University of Melbourne. September 16 – 24, 2016.

I saw a professional production of The Hatpin five years ago and, at the time, noted that it was unlikely to be tackled by an amateur company.

I have been proven wrong.

This was a brave choice, but not unsurprising from a university company. It is Australian, dark and relatively recent. Box office poison, but so worthwhile.

Wicked

Music & Lyrics: Stephen Schwartz, Book: Winnie Holzman. Based on the novel by Gregory Maguire. Ipswich Musical Theatre Company. Director: Robbie Parkin. Music Director: Robert Clark, Choreographer: Simon Lind. Ipswich Civic Centre, 9-18 September 2016

Sometimes the line between a top community theatre production and a professional one can be very thin indeed, and that’s what we saw yesterday in Ipswich Musical Theatre’s production of Wicked. With so many pros on board behind-the-scenes and ex-Wicked Wiz Simon Gallagher stepping in as casting director, the result was pro-am musical theatre at its finest.

The Sound of Music

Music by Richard Rodgers. Lyrics by Oscar Hammerstein II. Book by Howard Lindsay and Russel Crouse. Directed by Jeremy Sams. The Crown Theatre, Perth, WA. 14 Sep - 9 Oct 2016

The Sound of Music opened the last leg of the Australian Tour at The Crown Theatre Perth on September 15. Still feeling fresh and vibrant, this production of the Rodgers and Hammerstein musical is lavish, with beautiful costuming and sets highlighting an excellent cast.

Songs For A New World

Music and Lyrics by Jason Robert Brown Javeenbah Theatre Company, Nerang, Gold Coast. Director: Trevor Love. Sept 16 – Oct 1, 2016

This production has been stripped down to the bare essentials which, in a way, has taken the gloss off what could be a great experience.

I could not understand what it was all about until I got home and had time to read the comment on each song. Had these preceded each item as surtitles or commentary, with perhaps the use of a hat, scarf or prop it would have enhanced the experience of the production.

With the Musical Direction in the capable hands of Javeenbah Stalwart, Rachel Love, the show had pace but that alone was not sufficient to entertain.

The Wharf Revue 2016: Back to Bite You

Written by Jonathan Biggins, Drew Forsythe, and Phillip Scott. Sydney Theatre Company. Musical direction by Phillip Scott. Canberra Theatre, 13–24 September 2016

With each year’s Wharf Revue, I’m surprised by the creativity and skill with which the Wharf Revue team turns existing songs, plays, films, and other cultural staples to good use in spotlighting the contradictions and doublespeak, the double standards and hypocrisies, the meaninglessness and frank absurdities that pervade Australian political life.

Breast Wishes

Concept, Anne Looby, book and lyrics, Bruce Brown. Spotlight Basement Theatre, Benowa, Gold Coast. Director: Tony Alcock. Sept 16 – Oct 2, 2016

When I review a show, I do so, on the merits of the performance I witness and am not influenced by comments from those connected to the production.

Breast Wishes shares the trials and tribulations of the female mammary glands and of those whose lives are affected in one-way or another. Breasts conjure up a variety of thoughts (the haves and have-nots) in different people and this show explores all of those “points”.

Footloose

By Dean Pitchford and Tom Snow. Holroyd Musical and Dramatic Society. Red Gum Theatre, Wentworthville. September 16 – 24, 2016.

HM&DS’s performance of the musical Footloose by Dean Pitchford and Tom Snow was a very entertaining night of theatre. Based on the 1984 movie of the same name, the musical includes all the catchy tunes from the film like “Lets Here it for the Boy” and “Footloose”, while other new songs written for the musical like “Mama Says” and “Heaven Help Me” are also great fun additions to the already brilliant score.

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