Reviews

Crazy Brave

By Michael Gurr. La Mama – Courthouse Theatre. 4 – 15 July 2018

Opening night of Crazy Brave felt like an homage to the very perceptive, insightful and unique individual that was Michael Gurr.   Many people were deeply saddened and disturbed by his demise at fifty-five and I am guessing, like me, are moved to better understand him.  So this production is timely.

Prehistoric

By Marcel Dorney. Elbow Room. Meat Market Studios, North Melbourne. July 20 – 27, 2018

Prehistoric is a landmark show; a fierce punk-driven piece of theatre, set in Brisbane and looking back in time during Premier Joh Bjelke Petersen’s reign of brutal law enforcement, across the state of Queensland.

An Elbow Room production, written and directed by Marcel Dorney, Prehistoric is back for another season before heading off to Edinburgh Fringe Festival in August. It was a Green Room Award winner for writing and new production in 2015, after its debut in Brisbane the previous year.

Carmen

By Bizet. West Australian Opera. Directed by Lindy Hume. His Majesty’s Theatre, Perth. 21-28 July, 2018

This production of Carmen was created 26 years ago in Perth by director Lindy Hume and designer and Dan Potra. Having played many times throughout Australia and New Zealand during the intervening years, this show, sometimes described as “the feminist Carmen”, remains young, vibrant and exciting.

The Lion in Winter

By James Goldman. Ipswich Little Theatre. Director: David Austin. Incinerator Theatre, Ipswich. 12-28 July 2018

We all love characters to hate and there’s no shortage of them in James Goldman’s 1966 dysfunctional-family historical drama The Lion in Winter. Set in France at Christmas 1183, it sets up a battle for the English throne between the ruling monarch Henry ll, his wife Eleanor of Aquitaine, and his three sons, Richard, Geoffrey, and John. When the play was written in 1966 it was criticized for its anachronistic dialogue, but in the era of Games of the Thrones it almost seems contemporary.

Polygraph

An OpticNerve production presented with the support of Theatre Works. Director: Tanya Gerstle. Actors: Grant Cartwright, Emily Thomas & Lachlan Woods. Writers: Robert Lepage & Marie Brassard. Producer: Loraine Little. Theatre Works, Acland Street, St Kilda VIC. 18-29 July 2018

Three characters connected by chance to a murder – in a play in which the murder itself is a McGuffin, a device to question the subjective nature of truth and all the forces that distort our sense of it.

Melancholia

By Lars von Trier, adapted for the stage by Declan Green. Direction – Matthew Lutton. Malthouse Theatre, The Merlyn. 13 July to 12 August 2018

Here is a production that starts with terrific aesthetic beauty and with a lovely energy from its performers.  Superbly realized and splendidly cast  - Melancholia is a feast for the senses.

Julius Caesar

By William Shakespeare. Bell Shakespeare. Arts Centre Melbourne, Fairfax Studio. 18 – 28 July 2018 – and touring.

The virtue of this pared back, ‘poor theatre’ production of Julius Caesar is its simplicity – and therefore its clarity.  The cast is young – or seems young – and they wear what look like op-shop clothes – that is, an everyday hotchpotch of contemporary no style. 

Julius Caesar

By William Shakespeare. Bell Shakespeare. Arts Centre Melbourne, Fairfax Studio. 18 – 28 July 2018 – and touring.

The virtue of this pared back, ‘poor theatre’ production of Julius Caesar is its simplicity – and therefore its clarity.  The cast is young – or seems young – and they wear what look like op-shop clothes – that is, an everyday hotchpotch of contemporary no style. 

Gaybies

By Dean Bryant. Directed by Joshua Maxwell for Jopuka Productions. Youth Arts Warehouse, Gosford. July 20-27, 2018.

This piece was first conceived (pardon the pun) for Melbourne’s Midsumma Festival in 2013 and performed as a moved reading to rave reviews. Not unlike The Vagina Monologues in tone, the text was similarly derived from a multitude of interviews with children (aged 4-40) of same-sexed couples. To emphasise the authenticity of the dialogue, the cast maintain a book-in-hand prop throughout.  This updated version also includes reactions to the landmark political events of the past year.

Abduction

By Wolfgang Amadeus Mozart. Librettist: Christoph Friedrich Bretzner. Additional Dialogue: Jim Jones & David Koresh. BK Opera. Director: Kate Millett. Musical Director: James Penn. Northcote Town Hall. July 18 – 22, 2018

BK Opera continues to produce operas in a different light. In this case it was Mozart’s Die Entführung aus dem Serail transposed from the Middle East to the Bible Belt of America. So the Pasha becomes the leader of a cult.

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